F# locrian #2 chords

All ukulele chords for the F# locrian #2 scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

F♯ locrian #2 scale diatonic chords

IF♯ dim
GCEA23
3frGCEA24318frGCEA421311frGCEA1243
IIA♭ dim
GCEA1243
GCEA11345frGCEA243110frGCEA4213
IIIA minor
GCEA2
GCEA232frGCEA13423frGCEA3241
IVB minor
GCEA1113
2frGCEA11344frGCEA13425frGCEA3241
VC aug
GCEA14
GCEA13423frGCEA42314frGCEA1124
VID major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
VIIE major
GCEA142
GCEA23414frGCEA11147frGCEA1143

F♯ locrian #2 scale seventh chords

IF♯ m7♭5
GCEA1132
5frGCEA11238frGCEA231411frGCEA1234
IIA♭ m7♭5
GCEA1234
4frGCEA11327frGCEA112310frGCEA2314
IIIA mmaj7
GCEA1
GCEA13425frGCEA11438frGCEA2214
IVB m7
GCEA1111
4frGCEA22137frGCEA132410frGCEA2213
VC major seventh flat sixth
C - E - G♯ - B
VID 7
GCEA1112
5frGCEA11127frGCEA132410frGCEA2314
VIIE 7
GCEA123
4frGCEA11127frGCEA11129frGCEA1324

scale

Ukulele fretboard diagram

F# locrian #2 scale — ukulele fretboard diagramInteractive fretboard diagram showing the F# locrian #2 scale on ukulele with 15 frets. Notes: A, B, C, D, E, F#, G#.ABCDEF#G#ABCEF#G#ABCDEF#CDEF#G#ABCDG#ABCDEF#G#A13579111213

F# locrian #2 scale — ukulele chords and intervals

The harmonized F# locrian #2 scale produces a more melodic half-diminished chord family, with a natural second degree that enables smoother voice leading than standard Locrian. The chords from F# locrian #2 are F# diminished, G# diminished, A minor, B minor, C augmented, D major, E major. Jazz musicians prefer these chords for ii-V-i progressions in minor keys. The natural 2 allows for more singable melodic lines over the half-diminished chord, making this the standard choice for minor ii-V resolution. Commonly used in Jazz, Post-Bop, Contemporary. Notable players include John Coltrane, Woody Shaw, Steve Coleman.

The F# locrian #2 scale has the following degrees: 1 2 ♭3 4 ♭5 ♭6 ♭7.

Intervals: W-H-W-H-W-W-W.

Diatonic chords: F# diminished, G# diminished, A minor, B minor, C augmented, D major, E major.

DegreesChord
IF# diminished
iiG# diminished
iiiA minor
IVB minor
VC augmented
viD major
vii°E major

Degree-by-Degree Analysis

The I chord (F# diminished) is the tonic — the gravitational center of the key. The ii chord (G# diminished) is the minor subdominant, commonly used to approach the V chord. The iii chord (A minor) functions as a substitute for the I or vi. The IV chord (B minor) is the subdominant — it adds motion and moderate tension. The V chord (C augmented) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (D major) is the relative minor — it brings emotional color and depth. The vii° chord (E major) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the F# locrian #2 scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F# locrian #2 scale on ukulele.

locrian #2 is the 6th mode of the Melodic Minor scale. View F# Melodic minor scale

Related Scales

How to Use This Scale

Use over m7b5 chords. The preferred jazz choice over half-diminished chords (vs standard Locrian which sounds too harsh).

Explore F# locrian #2 Further