F# leading whole tone chords

All ukulele chords for the F# leading whole tone scale

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Harmony
Originalii–V–ISec. Dom.
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F♯ leading whole tone scale diatonic chords

IF♯ aug
GCEA3221
2frGCEA21143frGCEA13426frGCEA2114
IIA♭ aug
GCEA13
GCEA13423frGCEA32214frGCEA2114
IIIB♭ major
GCEA3211
3frGCEA12435frGCEA312110frGCEA1114
IVC unknown
C - E - F♯
VD dim
4frGCEA4213
7frGCEA12438frGCEA314111frGCEA2431
VIF♯ unknown
E - F♯ - A♯
VIIF minor
GCEA124
3frGCEA34215frGCEA12348frGCEA3111

F♯ leading whole tone scale seventh chords

IF♯ major seventh flat sixth
F♯ - A♯ - D - F
IIA♭ unknown
G♯ - C - E - F♯
IIIB♭ 7
GCEA1211
3frGCEA13246frGCEA231410frGCEA1112
IVC unknown
C - E - F♯ - A♯
VD m7♭5
GCEA1213
4frGCEA23147frGCEA123410frGCEA1312
VID unknown
E - F♯ - A♯ - D
VIIF mmaj7
GCEA1413
4frGCEA22147frGCEA42218frGCEA2111

scale

Ukulele fretboard diagram

F# leading whole tone scale — ukulele fretboard diagramInteractive fretboard diagram showing the F# leading whole tone scale on ukulele with 15 frets. Notes: A#, C, D, E, F, F#, G#.A#CDEFF#G#A#CEFF#G#A#CDEFF#CDEFF#G#A#CDG#A#CDEFF#G#A#13579111213

F# leading whole tone scale — ukulele chords and intervals

The harmonized F# leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from F# leading whole tone are F# augmented, G# augmented, A# major, C unknown, D diminished, F# unknown, F minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The F# leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: F# augmented, G# augmented, A# major, C unknown, D diminished, F# unknown, F minor.

DegreesChord
IF# augmented
iiG# augmented
iiiA# major
IVC unknown
VD diminished
viF# unknown
vii°F minor

Degree-by-Degree Analysis

The I chord (F# augmented) is the tonic — the gravitational center of the key. The ii chord (G# augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (A# major) functions as a substitute for the I or vi. The IV chord (C unknown) is the subdominant — it adds motion and moderate tension. The V chord (D diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F# unknown) is the relative minor — it brings emotional color and depth. The vii° chord (F minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the F# leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F# leading whole tone scale on ukulele.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore F# leading whole tone Further