F# altered chords

All ukulele chords for the F# altered scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

F♯ altered scale diatonic chords

IF♯ dim
GCEA23
3frGCEA24318frGCEA421311frGCEA1243
IIG minor
GCEA231
GCEA32412frGCEA21345frGCEA3421
IIIA minor
GCEA2
GCEA232frGCEA13423frGCEA3241
IVB♭ aug
GCEA2231
2frGCEA11243frGCEA13426frGCEA1124
VC major
GCEA3
GCEA1123frGCEA11325frGCEA1243
VID major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
VIIE dim
GCEA2431
6frGCEA42139frGCEA124310frGCEA1134

F♯ altered scale seventh chords

IF♯ m7♭5
GCEA1132
5frGCEA11238frGCEA231411frGCEA1234
IIG mmaj7
GCEA231
3frGCEA11436frGCEA22149frGCEA2241
IIIA m7
GCEA
GCEA22135frGCEA13248frGCEA2213
IVB♭ major seventh flat sixth
A♯ - D - F♯ - A
VC 7
GCEA1
GCEA11125frGCEA13248frGCEA2314
VID 7
GCEA1112
5frGCEA11127frGCEA132410frGCEA2314
VIIE m7♭5
GCEA21
3frGCEA11236frGCEA23149frGCEA1234

scale

Ukulele fretboard diagram

F# altered scale — ukulele fretboard diagramInteractive fretboard diagram showing the F# altered scale on ukulele with 15 frets. Notes: A, A#, C, D, E, F#, G.AA#CDEF#GAA#CEF#GAA#CDEF#GCDEF#GAA#CDGAA#CDEF#GAA#13579111213

F# altered scale — ukulele chords and intervals

Harmonizing the F# altered scale produces the most tension-filled chord family in jazz. Every chord contains altered tones that demand resolution, making this the ultimate tool for dominant-function harmony. The chords of F# altered are F# diminished, G minor, A minor, A# augmented, C major, D major, E diminished. Use these chords over V7alt passages to create maximum pull toward the tonic. The altered chord family is essential for jazz reharmonization, turning simple changes into rich, chromatic voice leading. Commonly used in Jazz, Fusion, Post-Bop, Contemporary. Notable players include John Coltrane, Michael Brecker, Pat Metheny, Chick Corea.

The F# altered scale has the following degrees: 1 ♭2 ♯2 3 ♯4 ♭6 ♭7.

Intervals: H-W-H-W-W-W-W.

Diatonic chords: F# diminished, G minor, A minor, A# augmented, C major, D major, E diminished.

DegreesChord
IF# diminished
iiG minor
iiiA minor
IVA# augmented
VC major
viD major
vii°E diminished

Degree-by-Degree Analysis

The I chord (F# diminished) is the tonic — the gravitational center of the key. The ii chord (G minor) is the minor subdominant, commonly used to approach the V chord. The iii chord (A minor) functions as a substitute for the I or vi. The IV chord (A# augmented) is the subdominant — it adds motion and moderate tension. The V chord (C major) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (D major) is the relative minor — it brings emotional color and depth. The vii° chord (E diminished) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the F# altered scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F# altered scale on ukulele.

altered is the 7th mode of the Melodic Minor scale (Super Locrian). View F# Melodic minor scale

Related Scales

How to Use This Scale

Use over 7alt, 7#9, 7b9, 7#5, 7b5 chords. The definitive scale for altered dominant chords that resolve to minor. Play C Altered over C7alt resolving to Fm.

Explore F# altered Further