F phrygian chords

All ukulele chords for the F phrygian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

F phrygian scale diatonic chords

IF minor
GCEA124
3frGCEA34215frGCEA12348frGCEA1113
IIF♯ major
GCEA1132
GCEA31246frGCEA11149frGCEA1132
IIIA♭ major
GCEA1243
3frGCEA11323frGCEA31248frGCEA1114
IVB♭ minor
GCEA1113
GCEA11343frGCEA13424frGCEA3241
VC dim
2frGCEA4213
5frGCEA12436frGCEA11349frGCEA2431
VIC♯ major
GCEA1114
4frGCEA11326frGCEA12438frGCEA1132
VIIE♭ minor
GCEA3421
3frGCEA33316frGCEA11136frGCEA1134

F phrygian scale seventh chords

IF m7
GCEA1324
4frGCEA22138frGCEA111110frGCEA2213
IIF♯ maj7
2frGCEA2413
6frGCEA11138frGCEA43219frGCEA1123
IIIA♭ 7
GCEA1324
4frGCEA23148frGCEA111211frGCEA1112
IVB♭ m7
GCEA1111
3frGCEA22136frGCEA13249frGCEA2213
VC m7♭5
GCEA2314
5frGCEA12348frGCEA113211frGCEA1123
VIC♯ maj7
GCEA1113
4frGCEA11233frGCEA43216frGCEA1234
VIIE♭ m7
GCEA2213
6frGCEA11118frGCEA221311frGCEA1324

scale

Ukulele fretboard diagram

F phrygian scale — ukulele fretboard diagramInteractive fretboard diagram showing the F phrygian scale on ukulele with 15 frets. Notes: Bb, C, Db, Eb, F, Gb, Ab.BbCDbEbFGbAbBbCFGbAbBbCDbEbFGbCDbEbFGbAbBbCDbEbAbBbCDbEbFGbAbBb13579111213

F phrygian scale — ukulele chords and intervals

The harmonized F phrygian scale creates a dark, brooding chord family defined by the bII major chord a half step above the tonic. This unique neighbor chord is the harmonic signature of Phrygian music. The chords of F phrygian are Fm7, GbMaj7, Ab7, Bbm7, Cm7b5, DbMaj7, Ebm7. The i-bII oscillation is the foundation of Flamenco and metal's Phrygian sound. Use the bVII as a power chord passing tone and the bVI for dramatic descending bass lines. The overall chord family conveys tension, gravity, and dark passion. Commonly used in Flamenco, Metal, Djent, Middle Eastern. Notable players include Al Di Meola, Metallica, Meshuggah, Paco de Lucia.

The F phrygian scale has the following degrees: 1 ♭2 ♭3 4 5 ♭6 ♭7.

Intervals: H-W-W-W-H-W-W.

Diatonic chords: Fm7, GbMaj7, Ab7, Bbm7, Cm7b5, DbMaj7, Ebm7.

DegreesChord
IFm7
iiGbMaj7
iiiAb7
IVBbm7
VCm7b5
viDbMaj7
vii°Ebm7

Degree-by-Degree Analysis

The I chord (Fm7) is the tonic — the gravitational center of the key. The ii chord (GbMaj7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Ab7) functions as a substitute for the I or vi. The IV chord (Bbm7) is the subdominant — it adds motion and moderate tension. The V chord (Cm7b5) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (DbMaj7) is the relative minor — it brings emotional color and depth. The vii° chord (Ebm7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the F phrygian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F phrygian scale on ukulele.

phrygian is the 3rd mode of the Major scale. View F Major scale

Related Scales

How to Use This Scale

Use over sus(b9), m7 chords in Phrygian contexts. Often played over a droning root note or power chord. The b2 → 1 resolution is the mode's signature move.

Explore F phrygian Further