F lydian dominant chords

All ukulele chords for the F lydian dominant scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

F lydian dominant scale diatonic chords

IF major
GCEA21
GCEA2135frGCEA11148frGCEA1132
IIG major
GCEA132
GCEA11322frGCEA31247frGCEA1114
IIIA dim
2frGCEA1243
3frGCEA11346frGCEA243111frGCEA4213
IVB dim
GCEA4213
4frGCEA12435frGCEA11348frGCEA2431
VC minor
GCEA123
3frGCEA11133frGCEA11345frGCEA1342
VID minor
GCEA231
2frGCEA12345frGCEA11135frGCEA1134
VIIE♭ aug
GCEA321
GCEA22313frGCEA11244frGCEA1342

F lydian dominant scale seventh chords

IF 7
GCEA2314
5frGCEA11128frGCEA111210frGCEA1324
IIG 7
GCEA213
3frGCEA23147frGCEA111210frGCEA1112
IIIA m7♭5
GCEA1234
5frGCEA11328frGCEA112311frGCEA2314
IVB m7♭5
GCEA2314
4frGCEA12347frGCEA113210frGCEA1123
VC mmaj7
2frGCEA2241
GCEA11125frGCEA13428frGCEA1132
VID m7
GCEA2213
5frGCEA11117frGCEA221310frGCEA1324
VIIE♭ major seventh flat sixth
E♭ - G - B - D

scale

Ukulele fretboard diagram

F lydian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the F lydian dominant scale on ukulele with 15 frets. Notes: A, B, C, D, Eb, F, G.ABCDEbFGABCFGABCDEbFGCDEbFGABCDEbGABCDEbFGA13579111213

F lydian dominant scale — ukulele chords and intervals

The harmonized F lydian dominant scale produces a bright, quirky chord family centered around a dominant seventh tonic with a raised fourth — the Acoustic chord. The chords from F lydian dominant are F major, G major, A diminished, B diminished, C minor, D minor, Eb augmented. The I7-II vamp is the signature Lydian Dominant sound, used in jazz for non-resolving dominant passages. These chords create forward motion without traditional tension, ideal for fusion and progressive jazz. Commonly used in Jazz, Fusion, Blues, Film Scores. Notable players include Frank Zappa, Larry Carlton, Pat Metheny.

The F lydian dominant scale has the following degrees: 1 2 3 ♯4 5 6 ♭7.

Intervals: W-W-W-H-W-H-W.

Diatonic chords: F major, G major, A diminished, B diminished, C minor, D minor, Eb augmented.

DegreesChord
IF major
iiG major
iiiA diminished
IVB diminished
VC minor
viD minor
vii°Eb augmented

Degree-by-Degree Analysis

The I chord (F major) is the tonic — the gravitational center of the key. The ii chord (G major) is the minor subdominant, commonly used to approach the V chord. The iii chord (A diminished) functions as a substitute for the I or vi. The IV chord (B diminished) is the subdominant — it adds motion and moderate tension. The V chord (C minor) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (D minor) is the relative minor — it brings emotional color and depth. The vii° chord (Eb augmented) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the F lydian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F lydian dominant scale on ukulele.

lydian dominant is the 4th mode of the Melodic Minor scale (Acoustic scale). View F Melodic minor scale

Related Scales

How to Use This Scale

Use over 7#11, 9#11 chords. Ideal for non-resolving dominant chords (the 'Simpsons chord'). Gives a sophisticated twist to blues progressions.

Explore F lydian dominant Further