F locrian chords

All ukulele chords for the F locrian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

F locrian scale diatonic chords

IF dim
2frGCEA2431
7frGCEA421310frGCEA124311frGCEA1134
IIF♯ major
GCEA1132
GCEA31246frGCEA11149frGCEA1132
IIIA♭ minor
GCEA1342
GCEA32413frGCEA21346frGCEA3421
IVB♭ minor
GCEA1113
GCEA11343frGCEA13424frGCEA3241
VB major
GCEA1132
4frGCEA12436frGCEA113211frGCEA1114
VIC♯ major
GCEA1114
4frGCEA11326frGCEA12438frGCEA1132
VIIE♭ minor
GCEA3421
3frGCEA33316frGCEA11136frGCEA1134

F locrian scale seventh chords

IF m7♭5
GCEA1132
4frGCEA11237frGCEA231410frGCEA1234
IIF♯ maj7
2frGCEA2413
6frGCEA11138frGCEA43219frGCEA1123
IIIA♭ m7
GCEA2213
4frGCEA13247frGCEA221311frGCEA1111
IVB♭ m7
GCEA1111
3frGCEA22136frGCEA13249frGCEA2213
VB maj7
GCEA4321
GCEA11234frGCEA12347frGCEA2413
VIC♯ 7
GCEA1112
4frGCEA11126frGCEA13249frGCEA2314
VIIE♭ m7
GCEA2213
6frGCEA11118frGCEA221311frGCEA1324

scale

Ukulele fretboard diagram

F locrian scale — ukulele fretboard diagramInteractive fretboard diagram showing the F locrian scale on ukulele with 15 frets. Notes: Bb, B, Db, Eb, F, Gb, Ab.BbBDbEbFGbAbBbBFGbAbBbBDbEbFGbDbEbFGbAbBbBDbEbAbBbBDbEbFGbAbBb13579111213

F locrian scale — ukulele chords and intervals

The harmonized F locrian scale generates the most unstable chord family of all the modes, with a diminished tonic chord that provides no sense of rest. This makes Locrian harmony a specialized tool for creating extreme tension. The chords of F locrian are Fm7b5, GbMaj7, Abm7, Bbm7, BMaj7, Db7, Ebm7. In practice, Locrian chords are used over half-diminished passages in jazz rather than as a standalone key. The i°-bII movement creates a restless, searching quality useful for transitional sections and building suspense. Commonly used in Jazz, Metal, Experimental, Avant-Garde. Notable players include John Coltrane, Meshuggah, Dream Theater.

The F locrian scale has the following degrees: 1 ♭2 ♭3 4 ♭5 ♭6 ♭7.

Intervals: H-W-W-H-W-W-W.

Diatonic chords: Fm7b5, GbMaj7, Abm7, Bbm7, BMaj7, Db7, Ebm7.

DegreesChord
IFm7b5
iiGbMaj7
iiiAbm7
IVBbm7
VBMaj7
viDb7
vii°Ebm7

Degree-by-Degree Analysis

The I chord (Fm7b5) is the tonic — the gravitational center of the key. The ii chord (GbMaj7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Abm7) functions as a substitute for the I or vi. The IV chord (Bbm7) is the subdominant — it adds motion and moderate tension. The V chord (BMaj7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Db7) is the relative minor — it brings emotional color and depth. The vii° chord (Ebm7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the F locrian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F locrian scale on ukulele.

locrian is the 7th mode of the Major scale. View F Major scale

Related Scales

How to Use This Scale

Use over m7b5 (half-diminished) chords. Essential for jazz ii-V-i in minor keys where the ii chord is half-diminished.

Explore F locrian Further