F leading whole tone chords

All ukulele chords for the F leading whole tone scale

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Harmony
Originalii–V–ISec. Dom.
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F leading whole tone scale diatonic chords

IF aug
GCEA312
GCEA21142frGCEA13425frGCEA2114
IIG aug
GCEA231
GCEA32213frGCEA21144frGCEA1342
IIIA major
GCEA21
2frGCEA12434frGCEA41219frGCEA1114
IVB unknown
B - E♭ - F
VC♯ dim
3frGCEA4213
6frGCEA12437frGCEA314110frGCEA2431
VIF unknown
E♭ - F - A
VIIE minor
GCEA321
GCEA34214frGCEA12347frGCEA3111

F leading whole tone scale seventh chords

IF major seventh flat sixth
F - A - C♯ - E
IIG unknown
G - B - E♭ - F
IIIA 7
GCEA1
GCEA13245frGCEA23149frGCEA1112
IVB unknown
B - E♭ - F - A
VC♯ m7♭5
GCEA12
GCEA23146frGCEA12349frGCEA1312
VIC♯ unknown
E♭ - F - A - C♯
VIIE mmaj7
GCEA21
3frGCEA22146frGCEA42217frGCEA2111

scale

Ukulele fretboard diagram

F leading whole tone scale — ukulele fretboard diagramInteractive fretboard diagram showing the F leading whole tone scale on ukulele with 15 frets. Notes: A, B, C#, D#, E, F, G.ABC#D#EFGABEFGABC#D#EFGC#D#EFGABC#D#GABC#D#EFGA13579111213

F leading whole tone scale — ukulele chords and intervals

The harmonized F leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from F leading whole tone are F augmented, G augmented, A major, B unknown, C# diminished, F unknown, E minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The F leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: F augmented, G augmented, A major, B unknown, C# diminished, F unknown, E minor.

DegreesChord
IF augmented
iiG augmented
iiiA major
IVB unknown
VC# diminished
viF unknown
vii°E minor

Degree-by-Degree Analysis

The I chord (F augmented) is the tonic — the gravitational center of the key. The ii chord (G augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (A major) functions as a substitute for the I or vi. The IV chord (B unknown) is the subdominant — it adds motion and moderate tension. The V chord (C# diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F unknown) is the relative minor — it brings emotional color and depth. The vii° chord (E minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the F leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F leading whole tone scale on ukulele.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore F leading whole tone Further