F ionian chords

All ukulele chords for the F ionian scale

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Harmony
Originalii–V–ISec. Dom.

F ionian scale diatonic chords

IF major
GCEA21
GCEA2135frGCEA11148frGCEA1132
IIG minor
GCEA231
GCEA32412frGCEA21345frGCEA3421
IIIA minor
GCEA2
GCEA232frGCEA13423frGCEA3241
IVB♭ major
GCEA1132
3frGCEA12435frGCEA113210frGCEA1114
VC major
GCEA3
GCEA1123frGCEA11325frGCEA1243
VID minor
GCEA231
2frGCEA12345frGCEA11135frGCEA1134
VIIE dim
GCEA2431
6frGCEA42139frGCEA124310frGCEA1134

F ionian scale seventh chords

IF maj7
GCEA2413
5frGCEA11137frGCEA43218frGCEA1123
IIG m7
GCEA112
3frGCEA13246frGCEA221310frGCEA1111
IIIA m7
GCEA
GCEA22135frGCEA13248frGCEA2213
IVB♭ maj7
GCEA321
GCEA11233frGCEA12346frGCEA2413
VC 7
GCEA1
GCEA11125frGCEA13248frGCEA2314
VID m7
GCEA2213
5frGCEA11117frGCEA221310frGCEA1324
VIIE m7♭5
GCEA21
3frGCEA11236frGCEA23149frGCEA1234

scale

Ukulele fretboard diagram

F ionian scale — ukulele fretboard diagramInteractive fretboard diagram showing the F ionian scale on ukulele with 15 frets. Notes: A, Bb, C, D, E, F, G.ABbCDEFGABbCEFGABbCDEFGCDEFGABbCDGABbCDEFGABb13579111213

F ionian scale — ukulele chords and intervals

The harmonized F ionian scale produces the same chord family as the major scale, forming the reference point for all diatonic harmony. Every chord built from this mode occupies a clear functional role: tonic, subdominant, or dominant. The diatonic chords of F ionian are FMaj7, Gm7, Am7, BbMaj7, C7, Dm7, Em7b5. The I-vi-IV-V turnaround is a classic pop foundation, while the I-iii-vi-ii-V chain creates elegant descending-fifth motion ideal for standards and ballads. Commonly used in Pop, Classical, Folk, Country. Notable players include The Beatles, Bob Dylan, James Taylor.

The F ionian scale has the following degrees: 1 2 3 4 5 6 7.

Intervals: W-W-H-W-W-W-H.

Diatonic chords: FMaj7, Gm7, Am7, BbMaj7, C7, Dm7, Em7b5.

DegreesChord
IFMaj7
iiGm7
iiiAm7
IVBbMaj7
VC7
viDm7
vii°Em7b5

Degree-by-Degree Analysis

The I chord (FMaj7) is the tonic — the gravitational center of the key. The ii chord (Gm7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Am7) functions as a substitute for the I or vi. The IV chord (BbMaj7) is the subdominant — it adds motion and moderate tension. The V chord (C7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Dm7) is the relative minor — it brings emotional color and depth. The vii° chord (Em7b5) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the F ionian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F ionian scale on ukulele.

ionian is the 1st mode of the Major scale. View F Major scale

Related Scales

How to Use This Scale

Use over Maj7, Maj9, major triads. The default safe choice for any major-key context.

Explore F ionian Further