F altered chords

All ukulele chords for the F altered scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

F altered scale diatonic chords

IF dim
2frGCEA2431
7frGCEA421310frGCEA124311frGCEA1134
IIF♯ minor
GCEA213
GCEA21344frGCEA34219frGCEA1113
IIIA♭ minor
GCEA1342
GCEA32413frGCEA21346frGCEA3421
IVA aug
GCEA312
GCEA11242frGCEA13425frGCEA1124
VB major
GCEA1132
4frGCEA12436frGCEA113211frGCEA1114
VIC♯ major
GCEA1114
4frGCEA11326frGCEA12438frGCEA1132
VIIE♭ dim
GCEA132
5frGCEA42138frGCEA12439frGCEA1134

F altered scale seventh chords

IF m7♭5
GCEA1132
4frGCEA11237frGCEA231410frGCEA1234
IIF♯ mmaj7
2frGCEA1143
5frGCEA22148frGCEA22419frGCEA1112
IIIA♭ m7
GCEA2213
4frGCEA13247frGCEA221311frGCEA1111
IVA major seventh flat sixth
A - D♭ - F - G♯
VB 7
GCEA1112
4frGCEA13247frGCEA231411frGCEA1112
VIC♯ 7
GCEA1112
4frGCEA11126frGCEA13249frGCEA2314
VIIE♭ m7♭5
GCEA1123
5frGCEA23148frGCEA123411frGCEA1132

scale

Ukulele fretboard diagram

F altered scale — ukulele fretboard diagramInteractive fretboard diagram showing the F altered scale on ukulele with 15 frets. Notes: A, B, C#, D#, F, F#, G#.ABC#D#FF#G#ABFF#G#ABC#D#FF#C#D#FF#G#ABC#D#G#ABC#D#FF#G#A13579111213

F altered scale — ukulele chords and intervals

Harmonizing the F altered scale produces the most tension-filled chord family in jazz. Every chord contains altered tones that demand resolution, making this the ultimate tool for dominant-function harmony. The chords of F altered are F diminished, Gb minor, G# minor, A augmented, B major, Db major, Eb diminished. Use these chords over V7alt passages to create maximum pull toward the tonic. The altered chord family is essential for jazz reharmonization, turning simple changes into rich, chromatic voice leading. Commonly used in Jazz, Fusion, Post-Bop, Contemporary. Notable players include John Coltrane, Michael Brecker, Pat Metheny, Chick Corea.

The F altered scale has the following degrees: 1 ♭2 ♯2 3 ♯4 ♭6 ♭7.

Intervals: H-W-H-W-W-W-W.

Diatonic chords: F diminished, Gb minor, G# minor, A augmented, B major, Db major, Eb diminished.

DegreesChord
IF diminished
iiGb minor
iiiG# minor
IVA augmented
VB major
viDb major
vii°Eb diminished

Degree-by-Degree Analysis

The I chord (F diminished) is the tonic — the gravitational center of the key. The ii chord (Gb minor) is the minor subdominant, commonly used to approach the V chord. The iii chord (G# minor) functions as a substitute for the I or vi. The IV chord (A augmented) is the subdominant — it adds motion and moderate tension. The V chord (B major) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Db major) is the relative minor — it brings emotional color and depth. The vii° chord (Eb diminished) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the F altered scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F altered scale on ukulele.

altered is the 7th mode of the Melodic Minor scale (Super Locrian). View F Melodic minor scale

Related Scales

How to Use This Scale

Use over 7alt, 7#9, 7b9, 7#5, 7b5 chords. The definitive scale for altered dominant chords that resolve to minor. Play C Altered over C7alt resolving to Fm.

Explore F altered Further