E todi raga chords

All ukulele chords for the E todi raga scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

E todi raga scale diatonic chords

IE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113
IIF sus4
GCEA113
GCEA2133frGCEA11233frGCEA2341
IIIG aug
GCEA231
GCEA22313frGCEA11244frGCEA1342
IVC unknown
A♯ - C - E
VB unknown
B - D♯ - F
VIC major
GCEA3
GCEA1123frGCEA11325frGCEA1243
VIIE♭ sus2
GCEA1134
3frGCEA33128frGCEA113410frGCEA1124

E todi raga scale seventh chords

IE mmaj7
GCEA21
3frGCEA22146frGCEA22417frGCEA1112
IIF unknown
F - A♯ - C - E
IIIG unknown
G - B - D♯ - F
IVC 7
GCEA1
GCEA11125frGCEA13248frGCEA2314
VB unknown
B - D♯ - F - A♯
VIC maj7
GCEA2
2frGCEA4321GCEA11235frGCEA1234
VIIC unknown
D♯ - F - A♯ - C

scale

Ukulele fretboard diagram

E todi raga scale — ukulele fretboard diagramInteractive fretboard diagram showing the E todi raga scale on ukulele with 15 frets. Notes: A#, B, C, D#, E, F, G.A#BCD#EFGA#BCEFGA#BCD#EFGCD#EFGA#BCD#GA#BCD#EFGA#13579111213

E todi raga scale — ukulele chords and intervals

The harmonized E todi raga scale generates a meditative chord family associated with morning contemplation in Indian classical music. The chords from E todi raga are E minor, F suspended fourth, G augmented, C unknown, B unknown, C major, D# suspended second. The chord movements create a reflective, philosophical atmosphere. Use these harmonies for scoring scenes of introspection, dawn, and spiritual awakening. Commonly used in Indian Classical, World, Meditation, Film Scores. Notable players include Ravi Shankar, Nikhil Banerjee.

The E todi raga scale has the following degrees: 1 ♭2 ♭3 ♯4 5 ♭6 7.

Intervals: H-W-3H-H-H-3H-H.

Diatonic chords: E minor, F suspended fourth, G augmented, C unknown, B unknown, C major, D# suspended second.

DegreesChord
IE minor
iiF suspended fourth
iiiG augmented
IVC unknown
VB unknown
viC major
vii°D# suspended second

Degree-by-Degree Analysis

The I chord (E minor) is the tonic — the gravitational center of the key. The ii chord (F suspended fourth) is the minor subdominant, commonly used to approach the V chord. The iii chord (G augmented) functions as a substitute for the I or vi. The IV chord (C unknown) is the subdominant — it adds motion and moderate tension. The V chord (B unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (C major) is the relative minor — it brings emotional color and depth. The vii° chord (D# suspended second) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the E todi raga scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the E todi raga scale on ukulele.

Related Scales

How to Use This Scale

Traditionally used over a drone (tanpura). In Western harmony, try over sustained root notes or minimal chord changes.

Explore E todi raga Further