E phrygian chords

All ukulele chords for the E phrygian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

E phrygian scale diatonic chords

IE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113
IIF major
GCEA21
GCEA2135frGCEA11148frGCEA1132
IIIG major
GCEA132
GCEA11322frGCEA31247frGCEA1114
IVA minor
GCEA2
GCEA232frGCEA13423frGCEA3241
VB dim
GCEA4213
4frGCEA12435frGCEA11348frGCEA2431
VIC major
GCEA3
GCEA1123frGCEA11325frGCEA1243
VIID minor
GCEA231
2frGCEA12345frGCEA11135frGCEA1134

E phrygian scale seventh chords

IE m7
GCEA12
3frGCEA22137frGCEA11119frGCEA2213
IIF maj7
GCEA2413
5frGCEA11137frGCEA43218frGCEA1123
IIIG 7
GCEA213
3frGCEA23147frGCEA111210frGCEA1112
IVA m7
GCEA
GCEA22135frGCEA13248frGCEA2213
VB m7♭5
GCEA2314
4frGCEA12347frGCEA113210frGCEA1123
VIC maj7
GCEA2
2frGCEA4321GCEA11235frGCEA1234
VIID m7
GCEA2213
5frGCEA11117frGCEA221310frGCEA1324

scale

Ukulele fretboard diagram

E phrygian scale — ukulele fretboard diagramInteractive fretboard diagram showing the E phrygian scale on ukulele with 15 frets. Notes: A, B, C, D, E, F, G.ABCDEFGABCEFGABCDEFGCDEFGABCDGABCDEFGA13579111213

E phrygian scale — ukulele chords and intervals

The harmonized E phrygian scale creates a dark, brooding chord family defined by the bII major chord a half step above the tonic. This unique neighbor chord is the harmonic signature of Phrygian music. The chords of E phrygian are Em7, FMaj7, G7, Am7, Bm7b5, CMaj7, Dm7. The i-bII oscillation is the foundation of Flamenco and metal's Phrygian sound. Use the bVII as a power chord passing tone and the bVI for dramatic descending bass lines. The overall chord family conveys tension, gravity, and dark passion. Commonly used in Flamenco, Metal, Djent, Middle Eastern. Notable players include Al Di Meola, Metallica, Meshuggah, Paco de Lucia.

The E phrygian scale has the following degrees: 1 ♭2 ♭3 4 5 ♭6 ♭7.

Intervals: H-W-W-W-H-W-W.

Diatonic chords: Em7, FMaj7, G7, Am7, Bm7b5, CMaj7, Dm7.

DegreesChord
IEm7
iiFMaj7
iiiG7
IVAm7
VBm7b5
viCMaj7
vii°Dm7

Degree-by-Degree Analysis

The I chord (Em7) is the tonic — the gravitational center of the key. The ii chord (FMaj7) is the minor subdominant, commonly used to approach the V chord. The iii chord (G7) functions as a substitute for the I or vi. The IV chord (Am7) is the subdominant — it adds motion and moderate tension. The V chord (Bm7b5) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (CMaj7) is the relative minor — it brings emotional color and depth. The vii° chord (Dm7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the E phrygian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the E phrygian scale on ukulele.

phrygian is the 3rd mode of the Major scale. View E Major scale

Related Scales

How to Use This Scale

Use over sus(b9), m7 chords in Phrygian contexts. Often played over a droning root note or power chord. The b2 → 1 resolution is the mode's signature move.

Explore E phrygian Further