E phrygian dominant chords

All ukulele chords for the E phrygian dominant scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

E phrygian dominant scale diatonic chords

IE major
GCEA142
GCEA23414frGCEA11147frGCEA1143
IIF major
GCEA21
GCEA2135frGCEA11148frGCEA1132
IIIA♭ dim
GCEA1243
GCEA11345frGCEA243110frGCEA4213
IVA minor
GCEA2
GCEA232frGCEA13423frGCEA3241
VB dim
GCEA4213
4frGCEA12435frGCEA11348frGCEA2431
VIC aug
GCEA14
GCEA13423frGCEA42314frGCEA1124
VIID minor
GCEA231
2frGCEA12345frGCEA11135frGCEA1134

E phrygian dominant scale seventh chords

IE 7
GCEA123
4frGCEA11127frGCEA11129frGCEA1324
IIF maj7
GCEA2413
5frGCEA11137frGCEA43218frGCEA1123
IIIA♭ dim7
GCEA1324
4frGCEA13247frGCEA132410frGCEA1324
IVA mmaj7
GCEA1
GCEA13425frGCEA11438frGCEA2214
VB m7♭5
GCEA2314
4frGCEA12347frGCEA113210frGCEA1123
VIC major seventh flat sixth
C - E - G♯ - B
VIID m7
GCEA2213
5frGCEA11117frGCEA221310frGCEA1324

scale

Ukulele fretboard diagram

E phrygian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the E phrygian dominant scale on ukulele with 15 frets. Notes: A, B, C, D, E, F, G#.ABCDEFG#ABCEFG#ABCDEFCDEFG#ABCDG#ABCDEFG#A13579111213

E phrygian dominant scale — ukulele chords and intervals

The harmonized E phrygian dominant scale generates the definitive chord family of Flamenco, Klezmer, and Middle Eastern music, combining a major tonic with the dark bII chord. The chords from E phrygian dominant are E major, F major, G# diminished, A minor, B diminished, C augmented, D minor. The I-bII oscillation is the most iconic progression in Spanish music. The chord family includes both major and minor colors, allowing for passionate, dramatic songwriting that shifts between light and shadow. Commonly used in Flamenco, Metal, Middle Eastern, Klezmer, Film Scores. Notable players include Marty Friedman, Paco de Lucia, Ritchie Blackmore, Al Di Meola.

The E phrygian dominant scale has the following degrees: 1 ♭2 3 4 5 ♭6 ♭7.

Intervals: H-3H-H-W-H-W-W.

Diatonic chords: E major, F major, G# diminished, A minor, B diminished, C augmented, D minor.

DegreesChord
IE major
iiF major
iiiG# diminished
IVA minor
VB diminished
viC augmented
vii°D minor

Degree-by-Degree Analysis

The I chord (E major) is the tonic — the gravitational center of the key. The ii chord (F major) is the minor subdominant, commonly used to approach the V chord. The iii chord (G# diminished) functions as a substitute for the I or vi. The IV chord (A minor) is the subdominant — it adds motion and moderate tension. The V chord (B diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (C augmented) is the relative minor — it brings emotional color and depth. The vii° chord (D minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the E phrygian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the E phrygian dominant scale on ukulele.

phrygian dominant is the 5th mode of the Harmonic Minor scale. View E Harmonic minor scale

Related Scales

How to Use This Scale

Use over dominant chords in flamenco/metal contexts, especially V7 in harmonic minor. The go-to for 'Spanish' or 'Arabic' sounding lines.

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