E lydian chords

All ukulele chords for the E lydian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

E lydian scale diatonic chords

IE major
GCEA142
GCEA23414frGCEA11147frGCEA1143
IIF♯ major
GCEA1132
GCEA31246frGCEA11149frGCEA1132
IIIA♭ minor
GCEA1342
GCEA32413frGCEA21346frGCEA3421
IVB♭ dim
GCEA312
3frGCEA12434frGCEA11347frGCEA2431
VB major
GCEA1132
4frGCEA12436frGCEA113211frGCEA1114
VIC♯ minor
GCEA1234
4frGCEA11124frGCEA11346frGCEA1342
VIIE♭ minor
GCEA3421
3frGCEA33316frGCEA11136frGCEA1134

E lydian scale seventh chords

IE maj7
GCEA132
4frGCEA11136frGCEA43217frGCEA1123
IIF♯ 7
GCEA2314
6frGCEA11129frGCEA111211frGCEA1324
IIIA♭ m7
GCEA2213
4frGCEA13247frGCEA221311frGCEA1111
IVB♭ m7♭5
GCEA123
GCEA12346frGCEA11329frGCEA1123
VB maj7
GCEA4321
GCEA11234frGCEA12347frGCEA2413
VIC♯ m7
GCEA123
GCEA11116frGCEA22139frGCEA1324
VIIE♭ m7
GCEA2213
6frGCEA11118frGCEA221311frGCEA1324

scale

Ukulele fretboard diagram

E lydian scale — ukulele fretboard diagramInteractive fretboard diagram showing the E lydian scale on ukulele with 15 frets. Notes: A#, B, C#, D#, E, F#, G#.A#BC#D#EF#G#A#BEF#G#A#BC#D#EF#C#D#EF#G#A#BC#D#G#A#BC#D#EF#G#A#13579111213

E lydian scale — ukulele chords and intervals

Harmonizing the E lydian scale produces a luminous chord family where the II major chord replaces the typical ii minor. This bright alteration gives Lydian harmony its characteristic floating, unresolved quality. The diatonic chords of E lydian are EMaj7, F#7, G#m7, A#m7b5, BMaj7, C#m7, D#m7. The I-II progression is the hallmark Lydian vamp, creating a sense of wonder without traditional tension. Film composers favor Lydian harmony for scenes of awe and discovery. The #iv diminished chord adds a touch of instability that keeps the brightness from becoming static. Commonly used in Film Scores, Progressive Rock, Fusion, Ambient, Dream Pop. Notable players include Joe Satriani, Steve Vai, John Williams, Hans Zimmer.

The E lydian scale has the following degrees: 1 2 3 ♯4 5 6 7.

Intervals: W-W-W-H-W-W-H.

Diatonic chords: EMaj7, F#7, G#m7, A#m7b5, BMaj7, C#m7, D#m7.

DegreesChord
IEMaj7
iiF#7
iiiG#m7
IVA#m7b5
VBMaj7
viC#m7
vii°D#m7

Degree-by-Degree Analysis

The I chord (EMaj7) is the tonic — the gravitational center of the key. The ii chord (F#7) is the minor subdominant, commonly used to approach the V chord. The iii chord (G#m7) functions as a substitute for the I or vi. The IV chord (A#m7b5) is the subdominant — it adds motion and moderate tension. The V chord (BMaj7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (C#m7) is the relative minor — it brings emotional color and depth. The vii° chord (D#m7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the E lydian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the E lydian scale on ukulele.

lydian is the 4th mode of the Major scale. View E Major scale

Related Scales

How to Use This Scale

Use over Maj7#11, Maj9 chords. Ideal for non-resolving major passages. Avoid when the music needs to feel grounded or resolved.

Explore E lydian Further