E lydian dominant chords

All ukulele chords for the E lydian dominant scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

E lydian dominant scale diatonic chords

IE major
GCEA142
GCEA23414frGCEA11147frGCEA1143
IIF♯ major
GCEA1132
GCEA31246frGCEA11149frGCEA1132
IIIA♭ dim
GCEA1243
GCEA11345frGCEA243110frGCEA4213
IVB♭ dim
GCEA312
3frGCEA12434frGCEA11347frGCEA2431
VB minor
GCEA1113
2frGCEA11344frGCEA13425frGCEA3241
VIC♯ minor
GCEA1234
4frGCEA11124frGCEA11346frGCEA1342
VIID aug
GCEA2231
2frGCEA11243frGCEA13426frGCEA1124

E lydian dominant scale seventh chords

IE 7
GCEA123
4frGCEA11127frGCEA11129frGCEA1324
IIF♯ 7
GCEA2314
6frGCEA11129frGCEA111211frGCEA1324
IIIA♭ m7♭5
GCEA1234
4frGCEA11327frGCEA112310frGCEA2314
IVB♭ m7♭5
GCEA123
GCEA12346frGCEA11329frGCEA1123
VB mmaj7
GCEA2241
GCEA11124frGCEA13427frGCEA1143
VIC♯ m7
GCEA123
GCEA11116frGCEA22139frGCEA1324
VIID major seventh flat sixth
D - F♯ - A♯ - C♯

scale

Ukulele fretboard diagram

E lydian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the E lydian dominant scale on ukulele with 15 frets. Notes: A#, B, C#, D, E, F#, G#.A#BC#DEF#G#A#BEF#G#A#BC#DEF#C#DEF#G#A#BC#DG#A#BC#DEF#G#A#13579111213

E lydian dominant scale — ukulele chords and intervals

The harmonized E lydian dominant scale produces a bright, quirky chord family centered around a dominant seventh tonic with a raised fourth — the Acoustic chord. The chords from E lydian dominant are E major, F# major, G# diminished, A# diminished, B minor, C# minor, D augmented. The I7-II vamp is the signature Lydian Dominant sound, used in jazz for non-resolving dominant passages. These chords create forward motion without traditional tension, ideal for fusion and progressive jazz. Commonly used in Jazz, Fusion, Blues, Film Scores. Notable players include Frank Zappa, Larry Carlton, Pat Metheny.

The E lydian dominant scale has the following degrees: 1 2 3 ♯4 5 6 ♭7.

Intervals: W-W-W-H-W-H-W.

Diatonic chords: E major, F# major, G# diminished, A# diminished, B minor, C# minor, D augmented.

DegreesChord
IE major
iiF# major
iiiG# diminished
IVA# diminished
VB minor
viC# minor
vii°D augmented

Degree-by-Degree Analysis

The I chord (E major) is the tonic — the gravitational center of the key. The ii chord (F# major) is the minor subdominant, commonly used to approach the V chord. The iii chord (G# diminished) functions as a substitute for the I or vi. The IV chord (A# diminished) is the subdominant — it adds motion and moderate tension. The V chord (B minor) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (C# minor) is the relative minor — it brings emotional color and depth. The vii° chord (D augmented) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the E lydian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the E lydian dominant scale on ukulele.

lydian dominant is the 4th mode of the Melodic Minor scale (Acoustic scale). View E Melodic minor scale

Related Scales

How to Use This Scale

Use over 7#11, 9#11 chords. Ideal for non-resolving dominant chords (the 'Simpsons chord'). Gives a sophisticated twist to blues progressions.

Explore E lydian dominant Further