E locrian chords

All ukulele chords for the E locrian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

E locrian scale diatonic chords

IE dim
GCEA2431
6frGCEA42139frGCEA124310frGCEA1134
IIF major
GCEA21
GCEA2135frGCEA11148frGCEA1132
IIIG minor
GCEA231
GCEA32412frGCEA21345frGCEA3421
IVA minor
GCEA2
GCEA232frGCEA13423frGCEA3241
VB♭ major
GCEA1132
3frGCEA12435frGCEA113210frGCEA1114
VIC major
GCEA3
GCEA1123frGCEA11325frGCEA1243
VIID minor
GCEA231
2frGCEA12345frGCEA11135frGCEA1134

E locrian scale seventh chords

IE m7♭5
GCEA21
3frGCEA11236frGCEA23149frGCEA1234
IIF maj7
GCEA2413
5frGCEA11137frGCEA43218frGCEA1123
IIIG m7
GCEA112
3frGCEA13246frGCEA221310frGCEA1111
IVA m7
GCEA
GCEA22135frGCEA13248frGCEA2213
VB♭ maj7
GCEA321
GCEA11233frGCEA12346frGCEA2413
VIC 7
GCEA1
GCEA11125frGCEA13248frGCEA2314
VIID m7
GCEA2213
5frGCEA11117frGCEA221310frGCEA1324

scale

Ukulele fretboard diagram

E locrian scale — ukulele fretboard diagramInteractive fretboard diagram showing the E locrian scale on ukulele with 15 frets. Notes: A, Bb, C, D, E, F, G.ABbCDEFGABbCEFGABbCDEFGCDEFGABbCDGABbCDEFGABb13579111213

E locrian scale — ukulele chords and intervals

The harmonized E locrian scale generates the most unstable chord family of all the modes, with a diminished tonic chord that provides no sense of rest. This makes Locrian harmony a specialized tool for creating extreme tension. The chords of E locrian are Em7b5, FMaj7, Gm7, Am7, BbMaj7, C7, Dm7. In practice, Locrian chords are used over half-diminished passages in jazz rather than as a standalone key. The i°-bII movement creates a restless, searching quality useful for transitional sections and building suspense. Commonly used in Jazz, Metal, Experimental, Avant-Garde. Notable players include John Coltrane, Meshuggah, Dream Theater.

The E locrian scale has the following degrees: 1 ♭2 ♭3 4 ♭5 ♭6 ♭7.

Intervals: H-W-W-H-W-W-W.

Diatonic chords: Em7b5, FMaj7, Gm7, Am7, BbMaj7, C7, Dm7.

DegreesChord
IEm7b5
iiFMaj7
iiiGm7
IVAm7
VBbMaj7
viC7
vii°Dm7

Degree-by-Degree Analysis

The I chord (Em7b5) is the tonic — the gravitational center of the key. The ii chord (FMaj7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Gm7) functions as a substitute for the I or vi. The IV chord (Am7) is the subdominant — it adds motion and moderate tension. The V chord (BbMaj7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (C7) is the relative minor — it brings emotional color and depth. The vii° chord (Dm7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the E locrian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the E locrian scale on ukulele.

locrian is the 7th mode of the Major scale. View E Major scale

Related Scales

How to Use This Scale

Use over m7b5 (half-diminished) chords. Essential for jazz ii-V-i in minor keys where the ii chord is half-diminished.

Explore E locrian Further