E locrian #2 chords

All ukulele chords for the E locrian #2 scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

E locrian #2 scale diatonic chords

IE dim
GCEA2431
6frGCEA42139frGCEA124310frGCEA1134
IIF♯ dim
GCEA23
3frGCEA24318frGCEA421311frGCEA1243
IIIG minor
GCEA231
GCEA32412frGCEA21345frGCEA3421
IVA minor
GCEA2
GCEA232frGCEA13423frGCEA3241
VB♭ aug
GCEA2231
2frGCEA11243frGCEA13426frGCEA1124
VIC major
GCEA3
GCEA1123frGCEA11325frGCEA1243
VIID major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243

E locrian #2 scale seventh chords

IE m7♭5
GCEA21
3frGCEA11236frGCEA23149frGCEA1234
IIF♯ m7♭5
GCEA1132
5frGCEA11238frGCEA231411frGCEA1234
IIIG mmaj7
GCEA231
3frGCEA11436frGCEA22149frGCEA2241
IVA m7
GCEA
GCEA22135frGCEA13248frGCEA2213
VB♭ major seventh flat sixth
B♭ - D - F♯ - A
VIC 7
GCEA1
GCEA11125frGCEA13248frGCEA2314
VIID 7
GCEA1112
5frGCEA11127frGCEA132410frGCEA2314

scale

Ukulele fretboard diagram

E locrian #2 scale — ukulele fretboard diagramInteractive fretboard diagram showing the E locrian #2 scale on ukulele with 15 frets. Notes: A, A#, C, D, E, F#, G.AA#CDEF#GAA#CEF#GAA#CDEF#GCDEF#GAA#CDGAA#CDEF#GAA#13579111213

E locrian #2 scale — ukulele chords and intervals

The harmonized E locrian #2 scale produces a more melodic half-diminished chord family, with a natural second degree that enables smoother voice leading than standard Locrian. The chords from E locrian #2 are E diminished, F# diminished, G minor, A minor, Bb augmented, C major, D major. Jazz musicians prefer these chords for ii-V-i progressions in minor keys. The natural 2 allows for more singable melodic lines over the half-diminished chord, making this the standard choice for minor ii-V resolution. Commonly used in Jazz, Post-Bop, Contemporary. Notable players include John Coltrane, Woody Shaw, Steve Coleman.

The E locrian #2 scale has the following degrees: 1 2 ♭3 4 ♭5 ♭6 ♭7.

Intervals: W-H-W-H-W-W-W.

Diatonic chords: E diminished, F# diminished, G minor, A minor, Bb augmented, C major, D major.

DegreesChord
IE diminished
iiF# diminished
iiiG minor
IVA minor
VBb augmented
viC major
vii°D major

Degree-by-Degree Analysis

The I chord (E diminished) is the tonic — the gravitational center of the key. The ii chord (F# diminished) is the minor subdominant, commonly used to approach the V chord. The iii chord (G minor) functions as a substitute for the I or vi. The IV chord (A minor) is the subdominant — it adds motion and moderate tension. The V chord (Bb augmented) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (C major) is the relative minor — it brings emotional color and depth. The vii° chord (D major) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the E locrian #2 scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the E locrian #2 scale on ukulele.

locrian #2 is the 6th mode of the Melodic Minor scale. View E Melodic minor scale

Related Scales

How to Use This Scale

Use over m7b5 chords. The preferred jazz choice over half-diminished chords (vs standard Locrian which sounds too harsh).

Explore E locrian #2 Further