E composite blues chords

All ukulele chords for the E composite blues scale

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Harmony
Originalii–V–ISec. Dom.

E composite blues scale diatonic chords

IE unknown
E - G - A
IIF♯ unknown
F♯ - G♯ - B♭
IIIG unknown
G - A - B
IVB♭ m7
GCEA1111
3frGCEA22136frGCEA13249frGCEA2213
VB m7
GCEA1111
4frGCEA22137frGCEA132410frGCEA2213
VIB♭ dim
GCEA312
3frGCEA12434frGCEA11347frGCEA2431
VIIB minor
GCEA1113
2frGCEA11344frGCEA13425frGCEA3241
VIIIC♯ dim
3frGCEA4213
6frGCEA12437frGCEA113410frGCEA2431
IXD unknown
D - F♯ - G♯

E composite blues scale seventh chords

IE unknown
E - G - A - B
IIF♯ unknown
F♯ - G♯ - B♭ - C♯
IIIG unknown
G - A - B - D
IVC♯ m6
GCEA123
GCEA12346frGCEA11329frGCEA1123
VD sixth
A - B - D - F♯
VIB♭ dim7
GCEA12
GCEA13246frGCEA13249frGCEA1324
VIIB m6
GCEA1234
4frGCEA11327frGCEA112310frGCEA2314
VIIIA 7
GCEA1
GCEA13245frGCEA23149frGCEA1112
IXF♯ unknown
D - F♯ - G♯ - B♭

scale

Ukulele fretboard diagram

E composite blues scale — ukulele fretboard diagramInteractive fretboard diagram showing the E composite blues scale on ukulele with 15 frets. Notes: A, A#, B, C#, D, E, F#, G, G#.AA#BC#DEF#GG#AA#BEF#GG#AA#BC#DEF#GC#DEF#GG#AA#BC#DGG#AA#BC#DEF#GG#AA#13579111213

E composite blues scale — ukulele chords and intervals

Harmonizing the E composite blues scale produces a comprehensive jazz chord family that merges major and minor blues structures into a single, flexible harmonic palette. The chords of E composite blues are E unknown, F# unknown, G unknown, Bb minor seventh, B minor seventh, Bb diminished, B minor, C# diminished, D unknown. The nine chords allow improvisers to freely mix happy and gritty chord colors over dominant harmony. This chord family is the ultimate toolkit for jazz-blues comping, providing every shade between major and minor. Commonly used in Jazz, Blues, Fusion, Funk. Notable players include John Scofield, Robben Ford, Larry Carlton.

The E composite blues scale has the following degrees: 1 2 ♭3 3 4 ♭5 5 6 ♭7.

Intervals: W-H-H-H-H-H-W-H-W.

Diatonic chords: E unknown, F# unknown, G unknown, Bb minor seventh, B minor seventh, Bb diminished, B minor, C# diminished, D unknown.

DegreesChord
IE unknown
iiF# unknown
iiiG unknown
IVBb minor seventh
VB minor seventh
viBb diminished
vii°B minor
8C# diminished
9D unknown

Degree-by-Degree Analysis

The I chord (E unknown) is the tonic — the gravitational center of the key. The ii chord (F# unknown) is the minor subdominant, commonly used to approach the V chord. The iii chord (G unknown) functions as a substitute for the I or vi. The IV chord (Bb minor seventh) is the subdominant — it adds motion and moderate tension. The V chord (B minor seventh) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Bb diminished) is the relative minor — it brings emotional color and depth. The vii° chord (B minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the E composite blues scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the E composite blues scale on ukulele.

Related Scales

How to Use This Scale

Use over dominant 7th chords in blues and jazz-blues. Contains both major and minor 3rds, allowing fluid switching between bright and dark.

Explore E composite blues Further