E altered chords

All ukulele chords for the E altered scale

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Harmony
Originalii–V–ISec. Dom.
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E altered scale diatonic chords

IE dim
GCEA2431
6frGCEA42139frGCEA124310frGCEA3141
IIF minor
GCEA124
3frGCEA34215frGCEA12348frGCEA3111
IIIG minor
GCEA231
GCEA32412frGCEA21345frGCEA3421
IVA♭ aug
GCEA13
GCEA13423frGCEA32214frGCEA2114
VB♭ major
GCEA3211
3frGCEA12435frGCEA312110frGCEA1114
VIC major
GCEA3
GCEA2113frGCEA32115frGCEA1243
VIID dim
4frGCEA4213
7frGCEA12438frGCEA314111frGCEA2431

E altered scale seventh chords

IE m7♭5
GCEA21
3frGCEA12136frGCEA23149frGCEA1234
IIF mmaj7
GCEA1413
4frGCEA22147frGCEA42218frGCEA2111
IIIG m7
GCEA211
3frGCEA13246frGCEA221310frGCEA1111
IVA♭ major seventh flat sixth
G♯ - C - E - G
VB♭ 7
GCEA1211
3frGCEA13246frGCEA231410frGCEA1112
VIC 7
GCEA1
GCEA12115frGCEA13248frGCEA2314
VIID m7♭5
GCEA1213
4frGCEA23147frGCEA123410frGCEA1312

scale

Ukulele fretboard diagram

E altered scale — ukulele fretboard diagramInteractive fretboard diagram showing the E altered scale on ukulele with 15 frets. Notes: A#, C, D, E, F, G, G#.A#CDEFGG#A#CEFGG#A#CDEFGCDEFGG#A#CDGG#A#CDEFGG#A#13579111213

E altered scale — ukulele chords and intervals

Harmonizing the E altered scale produces the most tension-filled chord family in jazz. Every chord contains altered tones that demand resolution, making this the ultimate tool for dominant-function harmony. The chords of E altered are E diminished, F minor, G minor, G# augmented, A# major, C major, D diminished. Use these chords over V7alt passages to create maximum pull toward the tonic. The altered chord family is essential for jazz reharmonization, turning simple changes into rich, chromatic voice leading. Commonly used in Jazz, Fusion, Post-Bop, Contemporary. Notable players include John Coltrane, Michael Brecker, Pat Metheny, Chick Corea.

The E altered scale has the following degrees: 1 ♭2 ♯2 3 ♯4 ♭6 ♭7.

Intervals: H-W-H-W-W-W-W.

Diatonic chords: E diminished, F minor, G minor, G# augmented, A# major, C major, D diminished.

DegreesChord
IE diminished
iiF minor
iiiG minor
IVG# augmented
VA# major
viC major
vii°D diminished

Degree-by-Degree Analysis

The I chord (E diminished) is the tonic — the gravitational center of the key. The ii chord (F minor) is the minor subdominant, commonly used to approach the V chord. The iii chord (G minor) functions as a substitute for the I or vi. The IV chord (G# augmented) is the subdominant — it adds motion and moderate tension. The V chord (A# major) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (C major) is the relative minor — it brings emotional color and depth. The vii° chord (D diminished) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the E altered scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the E altered scale on ukulele.

altered is the 7th mode of the Melodic Minor scale (Super Locrian). View E Melodic minor scale

Related Scales

How to Use This Scale

Use over 7alt, 7#9, 7b9, 7#5, 7b5 chords. The definitive scale for altered dominant chords that resolve to minor. Play C Altered over C7alt resolving to Fm.

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