D todi raga chords

All ukulele chords for the D todi raga scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

D todi raga scale diatonic chords

ID minor
GCEA231
2frGCEA12345frGCEA11135frGCEA1134
IIE♭ sus4
GCEA1123
GCEA23413frGCEA11246frGCEA1134
IIIF aug
GCEA312
GCEA11242frGCEA13425frGCEA1124
IVB♭ unknown
G♯ - B♭ - D
VA unknown
A - C♯ - E♭
VIB♭ major
GCEA1132
3frGCEA12435frGCEA113210frGCEA1114
VIIC♯ sus2
GCEA3312
6frGCEA11348frGCEA112411frGCEA1134

D todi raga scale seventh chords

ID mmaj7
GCEA2214
4frGCEA22415frGCEA11127frGCEA1342
IIE♭ unknown
E♭ - G♯ - B♭ - D
IIIF unknown
F - A - C♯ - E♭
IVB♭ 7
GCEA1112
3frGCEA13246frGCEA231410frGCEA1112
VA unknown
A - C♯ - E♭ - G♯
VIB♭ maj7
GCEA321
GCEA11233frGCEA12346frGCEA2413
VIIE♭ suspended fourth seventh
C♯ - E♭ - G♯ - B♭

scale

Ukulele fretboard diagram

D todi raga scale — ukulele fretboard diagramInteractive fretboard diagram showing the D todi raga scale on ukulele with 15 frets. Notes: A, A#, C#, D, D#, F, G#.AA#C#DD#FG#AA#FG#AA#C#DD#FC#DD#FG#AA#C#DD#G#AA#C#DD#FG#AA#13579111213

D todi raga scale — ukulele chords and intervals

The harmonized D todi raga scale generates a meditative chord family associated with morning contemplation in Indian classical music. The chords from D todi raga are D minor, Eb suspended fourth, F augmented, Bb unknown, A unknown, Bb major, C# suspended second. The chord movements create a reflective, philosophical atmosphere. Use these harmonies for scoring scenes of introspection, dawn, and spiritual awakening. Commonly used in Indian Classical, World, Meditation, Film Scores. Notable players include Ravi Shankar, Nikhil Banerjee.

The D todi raga scale has the following degrees: 1 ♭2 ♭3 ♯4 5 ♭6 7.

Intervals: H-W-3H-H-H-3H-H.

Diatonic chords: D minor, Eb suspended fourth, F augmented, Bb unknown, A unknown, Bb major, C# suspended second.

DegreesChord
ID minor
iiEb suspended fourth
iiiF augmented
IVBb unknown
VA unknown
viBb major
vii°C# suspended second

Degree-by-Degree Analysis

The I chord (D minor) is the tonic — the gravitational center of the key. The ii chord (Eb suspended fourth) is the minor subdominant, commonly used to approach the V chord. The iii chord (F augmented) functions as a substitute for the I or vi. The IV chord (Bb unknown) is the subdominant — it adds motion and moderate tension. The V chord (A unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Bb major) is the relative minor — it brings emotional color and depth. The vii° chord (C# suspended second) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D todi raga scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D todi raga scale on ukulele.

Related Scales

How to Use This Scale

Traditionally used over a drone (tanpura). In Western harmony, try over sustained root notes or minimal chord changes.

Explore D todi raga Further