D# todi raga chords

All ukulele chords for the D# todi raga scale

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Harmony
Originalii–V–ISec. Dom.
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D♯ todi raga scale diatonic chords

IE♭ minor
GCEA3421
3frGCEA13336frGCEA31116frGCEA3114
IIE sus4
2frGCEA1231
2frGCEA23414frGCEA11247frGCEA3411
IIIF♯ aug
GCEA3221
2frGCEA21143frGCEA13426frGCEA2114
IVB unknown
A - B - D♯
VB♭ unknown
A♯ - D - E
VIB major
GCEA3211
4frGCEA12436frGCEA312111frGCEA1114
VIID sus2
2frGCEA1233
7frGCEA13419frGCEA112412frGCEA3411

D♯ todi raga scale seventh chords

IE♭ mmaj7
2frGCEA2214
5frGCEA42216frGCEA21118frGCEA1342
IIE unknown
E - A - B - D♯
IIIF♯ unknown
F♯ - A♯ - D - E
IVB 7
GCEA1211
4frGCEA13247frGCEA231411frGCEA1112
VB♭ unknown
A♯ - D - E - A
VIB maj7
GCEA4321
GCEA23114frGCEA12347frGCEA2413
VIIE suspended fourth seventh
D - E - A - B

scale

Ukulele fretboard diagram

D# todi raga scale — ukulele fretboard diagramInteractive fretboard diagram showing the D# todi raga scale on ukulele with 15 frets. Notes: A, A#, B, D, D#, E, F#.AA#BDD#EF#AA#BEF#AA#BDD#EF#DD#EF#AA#BDD#AA#BDD#EF#AA#13579111213

D# todi raga scale — ukulele chords and intervals

The harmonized D# todi raga scale generates a meditative chord family associated with morning contemplation in Indian classical music. The chords from D# todi raga are D# minor, E suspended fourth, F# augmented, B unknown, A# unknown, B major, D suspended second. The chord movements create a reflective, philosophical atmosphere. Use these harmonies for scoring scenes of introspection, dawn, and spiritual awakening. Commonly used in Indian Classical, World, Meditation, Film Scores. Notable players include Ravi Shankar, Nikhil Banerjee.

The D# todi raga scale has the following degrees: 1 ♭2 ♭3 ♯4 5 ♭6 7.

Intervals: H-W-3H-H-H-3H-H.

Diatonic chords: D# minor, E suspended fourth, F# augmented, B unknown, A# unknown, B major, D suspended second.

DegreesChord
ID# minor
iiE suspended fourth
iiiF# augmented
IVB unknown
VA# unknown
viB major
vii°D suspended second

Degree-by-Degree Analysis

The I chord (D# minor) is the tonic — the gravitational center of the key. The ii chord (E suspended fourth) is the minor subdominant, commonly used to approach the V chord. The iii chord (F# augmented) functions as a substitute for the I or vi. The IV chord (B unknown) is the subdominant — it adds motion and moderate tension. The V chord (A# unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (B major) is the relative minor — it brings emotional color and depth. The vii° chord (D suspended second) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D# todi raga scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D# todi raga scale on ukulele.

Related Scales

How to Use This Scale

Traditionally used over a drone (tanpura). In Western harmony, try over sustained root notes or minimal chord changes.

Explore D# todi raga Further