D# phrygian chords

All ukulele chords for the D# phrygian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

D♯ phrygian scale diatonic chords

IE♭ minor
GCEA3421
3frGCEA33316frGCEA11136frGCEA1134
IIE major
GCEA142
GCEA23414frGCEA11147frGCEA1143
IIIF♯ major
GCEA1132
GCEA31246frGCEA11149frGCEA1132
IVA♭ minor
GCEA1342
GCEA32413frGCEA21346frGCEA3421
VB♭ dim
GCEA312
3frGCEA12434frGCEA11347frGCEA2431
VIB major
GCEA1132
4frGCEA12436frGCEA113211frGCEA1114
VIIC♯ minor
GCEA1234
4frGCEA11124frGCEA11346frGCEA1342

D♯ phrygian scale seventh chords

IE♭ m7
GCEA2213
6frGCEA11118frGCEA221311frGCEA1324
IIE maj7
GCEA132
4frGCEA11136frGCEA43217frGCEA1123
IIIF♯ 7
GCEA2314
6frGCEA11129frGCEA111211frGCEA1324
IVA♭ m7
GCEA2213
4frGCEA13247frGCEA221311frGCEA1111
VB♭ m7♭5
GCEA123
GCEA12346frGCEA11329frGCEA1123
VIB maj7
GCEA4321
GCEA11234frGCEA12347frGCEA2413
VIIC♯ m7
GCEA123
GCEA11116frGCEA22139frGCEA1324

scale

Ukulele fretboard diagram

D# phrygian scale — ukulele fretboard diagramInteractive fretboard diagram showing the D# phrygian scale on ukulele with 15 frets. Notes: A#, B, C#, D#, E, F#, G#.A#BC#D#EF#G#A#BEF#G#A#BC#D#EF#C#D#EF#G#A#BC#D#G#A#BC#D#EF#G#A#13579111213

D# phrygian scale — ukulele chords and intervals

The harmonized D# phrygian scale creates a dark, brooding chord family defined by the bII major chord a half step above the tonic. This unique neighbor chord is the harmonic signature of Phrygian music. The chords of D# phrygian are D#m7, EMaj7, F#7, G#m7, A#m7b5, BMaj7, C#m7. The i-bII oscillation is the foundation of Flamenco and metal's Phrygian sound. Use the bVII as a power chord passing tone and the bVI for dramatic descending bass lines. The overall chord family conveys tension, gravity, and dark passion. Commonly used in Flamenco, Metal, Djent, Middle Eastern. Notable players include Al Di Meola, Metallica, Meshuggah, Paco de Lucia.

The D# phrygian scale has the following degrees: 1 ♭2 ♭3 4 5 ♭6 ♭7.

Intervals: H-W-W-W-H-W-W.

Diatonic chords: D#m7, EMaj7, F#7, G#m7, A#m7b5, BMaj7, C#m7.

DegreesChord
ID#m7
iiEMaj7
iiiF#7
IVG#m7
VA#m7b5
viBMaj7
vii°C#m7

Degree-by-Degree Analysis

The I chord (D#m7) is the tonic — the gravitational center of the key. The ii chord (EMaj7) is the minor subdominant, commonly used to approach the V chord. The iii chord (F#7) functions as a substitute for the I or vi. The IV chord (G#m7) is the subdominant — it adds motion and moderate tension. The V chord (A#m7b5) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (BMaj7) is the relative minor — it brings emotional color and depth. The vii° chord (C#m7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D# phrygian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D# phrygian scale on ukulele.

phrygian is the 3rd mode of the Major scale. View D# Major scale

Related Scales

How to Use This Scale

Use over sus(b9), m7 chords in Phrygian contexts. Often played over a droning root note or power chord. The b2 → 1 resolution is the mode's signature move.

Explore D# phrygian Further