D# phrygian dominant chords

All ukulele chords for the D# phrygian dominant scale

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Harmony
Originalii–V–ISec. Dom.
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D♯ phrygian dominant scale diatonic chords

IE♭ major
GCEA341
GCEA23413frGCEA11146frGCEA3211
IIE major
GCEA142
GCEA23414frGCEA11147frGCEA4311
IIIG dim
GCEA132
GCEA31414frGCEA24319frGCEA4213
IVA♭ minor
GCEA1342
GCEA32413frGCEA21346frGCEA3421
VB♭ dim
GCEA312
3frGCEA12434frGCEA31417frGCEA2431
VIB aug
GCEA231
GCEA32213frGCEA21144frGCEA1342
VIIC♯ minor
GCEA1234
4frGCEA21114frGCEA31146frGCEA1342

D♯ phrygian dominant scale seventh chords

IE♭ 7
GCEA1112
6frGCEA12118frGCEA132411frGCEA2314
IIE maj7
GCEA132
4frGCEA11136frGCEA43217frGCEA2311
IIIG dim7
GCEA12
GCEA13246frGCEA13249frGCEA1324
IVA♭ mmaj7
GCEA1342
4frGCEA14137frGCEA221410frGCEA4221
VB♭ m7♭5
GCEA123
GCEA12346frGCEA13129frGCEA1213
VIB major seventh flat sixth
B - D♯ - G - A♯
VIIC♯ m7
GCEA123
GCEA11116frGCEA13229frGCEA1324

scale

Ukulele fretboard diagram

D# phrygian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the D# phrygian dominant scale on ukulele with 15 frets. Notes: A#, B, C#, D#, E, G, G#.A#BC#D#EGG#A#BEGG#A#BC#D#EGC#D#EGG#A#BC#D#GG#A#BC#D#EGG#A#13579111213

D# phrygian dominant scale — ukulele chords and intervals

The harmonized D# phrygian dominant scale generates the definitive chord family of Flamenco, Klezmer, and Middle Eastern music, combining a major tonic with the dark bII chord. The chords from D# phrygian dominant are D# major, E major, G diminished, G# minor, A# diminished, B augmented, C# minor. The I-bII oscillation is the most iconic progression in Spanish music. The chord family includes both major and minor colors, allowing for passionate, dramatic songwriting that shifts between light and shadow. Commonly used in Flamenco, Metal, Middle Eastern, Klezmer, Film Scores. Notable players include Marty Friedman, Paco de Lucia, Ritchie Blackmore, Al Di Meola.

The D# phrygian dominant scale has the following degrees: 1 ♭2 3 4 5 ♭6 ♭7.

Intervals: H-3H-H-W-H-W-W.

Diatonic chords: D# major, E major, G diminished, G# minor, A# diminished, B augmented, C# minor.

DegreesChord
ID# major
iiE major
iiiG diminished
IVG# minor
VA# diminished
viB augmented
vii°C# minor

Degree-by-Degree Analysis

The I chord (D# major) is the tonic — the gravitational center of the key. The ii chord (E major) is the minor subdominant, commonly used to approach the V chord. The iii chord (G diminished) functions as a substitute for the I or vi. The IV chord (G# minor) is the subdominant — it adds motion and moderate tension. The V chord (A# diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (B augmented) is the relative minor — it brings emotional color and depth. The vii° chord (C# minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D# phrygian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D# phrygian dominant scale on ukulele.

phrygian dominant is the 5th mode of the Harmonic Minor scale. View D# Harmonic minor scale

Related Scales

How to Use This Scale

Use over dominant chords in flamenco/metal contexts, especially V7 in harmonic minor. The go-to for 'Spanish' or 'Arabic' sounding lines.

Explore D# phrygian dominant Further