D# mixolydian chords

All ukulele chords for the D# mixolydian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

D♯ mixolydian scale diatonic chords

IE♭ major
GCEA341
GCEA23413frGCEA11146frGCEA1132
IIF minor
GCEA124
3frGCEA34215frGCEA12348frGCEA1113
IIIG dim
GCEA132
GCEA11344frGCEA24319frGCEA4213
IVA♭ major
GCEA1243
3frGCEA11323frGCEA31248frGCEA1114
VB♭ minor
GCEA1113
GCEA11343frGCEA13424frGCEA3241
VIC minor
GCEA123
3frGCEA11133frGCEA11345frGCEA1342
VIIC♯ major
GCEA1114
4frGCEA11326frGCEA12438frGCEA1132

D♯ mixolydian scale seventh chords

IE♭ 7
GCEA1112
6frGCEA11128frGCEA132411frGCEA2314
IIF m7
GCEA1324
4frGCEA22138frGCEA111110frGCEA2213
IIIG m7♭5
GCEA123
3frGCEA11326frGCEA11239frGCEA2314
IVA♭ maj7
GCEA1234
4frGCEA24138frGCEA111310frGCEA4321
VB♭ m7
GCEA1111
3frGCEA22136frGCEA13249frGCEA2213
VIC m7
GCEA1111
5frGCEA22138frGCEA132411frGCEA2213
VIIC♯ maj7
GCEA1113
4frGCEA11233frGCEA43216frGCEA1234

scale

Ukulele fretboard diagram

D# mixolydian scale — ukulele fretboard diagramInteractive fretboard diagram showing the D# mixolydian scale on ukulele with 15 frets. Notes: A#, C, C#, D#, F, G, G#.A#CC#D#FGG#A#CFGG#A#CC#D#FGCC#D#FGG#A#CC#D#GG#A#CC#D#FGG#A#13579111213

D# mixolydian scale — ukulele chords and intervals

The harmonized D# mixolydian scale yields a chord family that combines major-key stability with a blues-inflected bVII chord. This flat seventh replaces the leading tone, creating a more relaxed, earthy harmonic feel. The chords of D# mixolydian are D#7, Fm7, Gm7b5, G#Maj7, A#m7, Cm7, C#Maj7. The I-bVII-IV progression drives classic rock anthems, while the I-bVII cadence provides a satisfying resolution without the pull of a dominant V. Mixolydian harmony is essential for blues-rock, Southern rock, and folk-influenced songwriting. Commonly used in Blues, Rock, Country, Folk, Funk. Notable players include Jimi Hendrix, The Allman Brothers, AC/DC, Stevie Ray Vaughan.

The D# mixolydian scale has the following degrees: 1 2 3 4 5 6 ♭7.

Intervals: W-W-H-W-W-H-W.

Diatonic chords: D#7, Fm7, Gm7b5, G#Maj7, A#m7, Cm7, C#Maj7.

DegreesChord
ID#7
iiFm7
iiiGm7b5
IVG#Maj7
VA#m7
viCm7
vii°C#Maj7

Degree-by-Degree Analysis

The I chord (D#7) is the tonic — the gravitational center of the key. The ii chord (Fm7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Gm7b5) functions as a substitute for the I or vi. The IV chord (G#Maj7) is the subdominant — it adds motion and moderate tension. The V chord (A#m7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Cm7) is the relative minor — it brings emotional color and depth. The vii° chord (C#Maj7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D# mixolydian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D# mixolydian scale on ukulele.

mixolydian is the 5th mode of the Major scale. View D# Major scale

Related Scales

How to Use This Scale

Use over dominant 7th chords (7, 9, 13). The primary scale for blues-rock soloing over non-resolving dominant chords.

Explore D# mixolydian Further