D# lydian chords

All ukulele chords for the D# lydian scale

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Harmony
Originalii–V–ISec. Dom.
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D♯ lydian scale diatonic chords

IE♭ major
GCEA341
GCEA23413frGCEA11146frGCEA3211
IIF major
GCEA21
GCEA2135frGCEA11148frGCEA3211
IIIG minor
GCEA231
GCEA32412frGCEA21345frGCEA3421
IVA dim
2frGCEA1243
3frGCEA31416frGCEA243111frGCEA4213
VB♭ major
GCEA3211
3frGCEA12435frGCEA312110frGCEA1114
VIC minor
GCEA123
3frGCEA31113frGCEA31145frGCEA1342
VIID minor
GCEA231
2frGCEA12345frGCEA31115frGCEA3114

D♯ lydian scale seventh chords

IE♭ maj7
3frGCEA1113
5frGCEA43216frGCEA23118frGCEA1234
IIF 7
GCEA2314
5frGCEA11128frGCEA121110frGCEA1324
IIIG m7
GCEA211
3frGCEA13246frGCEA221310frGCEA1111
IVA m7♭5
GCEA1234
5frGCEA13128frGCEA121311frGCEA2314
VB♭ maj7
GCEA321
GCEA23113frGCEA12346frGCEA2413
VIC m7
GCEA1111
5frGCEA13228frGCEA132411frGCEA2213
VIID m7
GCEA2213
5frGCEA11117frGCEA132210frGCEA1324

scale

Ukulele fretboard diagram

D# lydian scale — ukulele fretboard diagramInteractive fretboard diagram showing the D# lydian scale on ukulele with 15 frets. Notes: A, A#, C, D, D#, F, G.AA#CDD#FGAA#CFGAA#CDD#FGCDD#FGAA#CDD#GAA#CDD#FGAA#13579111213

D# lydian scale — ukulele chords and intervals

Harmonizing the D# lydian scale produces a luminous chord family where the II major chord replaces the typical ii minor. This bright alteration gives Lydian harmony its characteristic floating, unresolved quality. The diatonic chords of D# lydian are D#Maj7, F7, Gm7, Am7b5, A#Maj7, Cm7, Dm7. The I-II progression is the hallmark Lydian vamp, creating a sense of wonder without traditional tension. Film composers favor Lydian harmony for scenes of awe and discovery. The #iv diminished chord adds a touch of instability that keeps the brightness from becoming static. Commonly used in Film Scores, Progressive Rock, Fusion, Ambient, Dream Pop. Notable players include Joe Satriani, Steve Vai, John Williams, Hans Zimmer.

The D# lydian scale has the following degrees: 1 2 3 ♯4 5 6 7.

Intervals: W-W-W-H-W-W-H.

Diatonic chords: D#Maj7, F7, Gm7, Am7b5, A#Maj7, Cm7, Dm7.

DegreesChord
ID#Maj7
iiF7
iiiGm7
IVAm7b5
VA#Maj7
viCm7
vii°Dm7

Degree-by-Degree Analysis

The I chord (D#Maj7) is the tonic — the gravitational center of the key. The ii chord (F7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Gm7) functions as a substitute for the I or vi. The IV chord (Am7b5) is the subdominant — it adds motion and moderate tension. The V chord (A#Maj7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Cm7) is the relative minor — it brings emotional color and depth. The vii° chord (Dm7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D# lydian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D# lydian scale on ukulele.

lydian is the 4th mode of the Major scale. View D# Major scale

Related Scales

How to Use This Scale

Use over Maj7#11, Maj9 chords. Ideal for non-resolving major passages. Avoid when the music needs to feel grounded or resolved.

Explore D# lydian Further