D# lydian chords

All ukulele chords for the D# lydian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

D♯ lydian scale diatonic chords

IE♭ major
GCEA341
GCEA23413frGCEA11146frGCEA1132
IIF major
GCEA21
GCEA2135frGCEA11148frGCEA1132
IIIG minor
GCEA231
GCEA32412frGCEA21345frGCEA3421
IVA dim
2frGCEA1243
3frGCEA11346frGCEA243111frGCEA4213
VB♭ major
GCEA1132
3frGCEA12435frGCEA113210frGCEA1114
VIC minor
GCEA123
3frGCEA11133frGCEA11345frGCEA1342
VIID minor
GCEA231
2frGCEA12345frGCEA11135frGCEA1134

D♯ lydian scale seventh chords

IE♭ maj7
3frGCEA1113
5frGCEA43216frGCEA11238frGCEA1234
IIF 7
GCEA2314
5frGCEA11128frGCEA111210frGCEA1324
IIIG m7
GCEA112
3frGCEA13246frGCEA221310frGCEA1111
IVA m7♭5
GCEA1234
5frGCEA11328frGCEA112311frGCEA2314
VB♭ maj7
GCEA321
GCEA11233frGCEA12346frGCEA2413
VIC m7
GCEA1111
5frGCEA22138frGCEA132411frGCEA2213
VIID m7
GCEA2213
5frGCEA11117frGCEA221310frGCEA1324

scale

Ukulele fretboard diagram

D# lydian scale — ukulele fretboard diagramInteractive fretboard diagram showing the D# lydian scale on ukulele with 15 frets. Notes: A, A#, C, D, D#, F, G.AA#CDD#FGAA#CFGAA#CDD#FGCDD#FGAA#CDD#GAA#CDD#FGAA#13579111213

D# lydian scale — ukulele chords and intervals

Harmonizing the D# lydian scale produces a luminous chord family where the II major chord replaces the typical ii minor. This bright alteration gives Lydian harmony its characteristic floating, unresolved quality. The diatonic chords of D# lydian are D#Maj7, F7, Gm7, Am7b5, A#Maj7, Cm7, Dm7. The I-II progression is the hallmark Lydian vamp, creating a sense of wonder without traditional tension. Film composers favor Lydian harmony for scenes of awe and discovery. The #iv diminished chord adds a touch of instability that keeps the brightness from becoming static. Commonly used in Film Scores, Progressive Rock, Fusion, Ambient, Dream Pop. Notable players include Joe Satriani, Steve Vai, John Williams, Hans Zimmer.

The D# lydian scale has the following degrees: 1 2 3 ♯4 5 6 7.

Intervals: W-W-W-H-W-W-H.

Diatonic chords: D#Maj7, F7, Gm7, Am7b5, A#Maj7, Cm7, Dm7.

DegreesChord
ID#Maj7
iiF7
iiiGm7
IVAm7b5
VA#Maj7
viCm7
vii°Dm7

Degree-by-Degree Analysis

The I chord (D#Maj7) is the tonic — the gravitational center of the key. The ii chord (F7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Gm7) functions as a substitute for the I or vi. The IV chord (Am7b5) is the subdominant — it adds motion and moderate tension. The V chord (A#Maj7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Cm7) is the relative minor — it brings emotional color and depth. The vii° chord (Dm7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D# lydian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D# lydian scale on ukulele.

lydian is the 4th mode of the Major scale. View D# Major scale

Related Scales

How to Use This Scale

Use over Maj7#11, Maj9 chords. Ideal for non-resolving major passages. Avoid when the music needs to feel grounded or resolved.

Explore D# lydian Further