D# lydian dominant chords

All ukulele chords for the D# lydian dominant scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

D♯ lydian dominant scale diatonic chords

IE♭ major
GCEA341
GCEA23413frGCEA11146frGCEA1132
IIF major
GCEA21
GCEA2135frGCEA11148frGCEA1132
IIIG dim
GCEA132
GCEA11344frGCEA24319frGCEA4213
IVA dim
2frGCEA1243
3frGCEA11346frGCEA243111frGCEA4213
VB♭ minor
GCEA1113
GCEA11343frGCEA13424frGCEA3241
VIC minor
GCEA123
3frGCEA11133frGCEA11345frGCEA1342
VIIC♯ aug
GCEA312
GCEA11242frGCEA13424frGCEA4231

D♯ lydian dominant scale seventh chords

IE♭ 7
GCEA1112
6frGCEA11128frGCEA132411frGCEA2314
IIF 7
GCEA2314
5frGCEA11128frGCEA111210frGCEA1324
IIIG m7♭5
GCEA123
3frGCEA11326frGCEA11239frGCEA2314
IVA m7♭5
GCEA1234
5frGCEA11328frGCEA112311frGCEA2314
VB♭ mmaj7
GCEA312
GCEA11123frGCEA13426frGCEA1143
VIC m7
GCEA1111
5frGCEA22138frGCEA132411frGCEA2213
VIIC♯ major seventh flat sixth
C♯ - F - A - C

scale

Ukulele fretboard diagram

D# lydian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the D# lydian dominant scale on ukulele with 15 frets. Notes: A, A#, C, C#, D#, F, G.AA#CC#D#FGAA#CFGAA#CC#D#FGCC#D#FGAA#CC#D#GAA#CC#D#FGAA#13579111213

D# lydian dominant scale — ukulele chords and intervals

The harmonized D# lydian dominant scale produces a bright, quirky chord family centered around a dominant seventh tonic with a raised fourth — the Acoustic chord. The chords from D# lydian dominant are D# major, F major, G diminished, A diminished, A# minor, C minor, C# augmented. The I7-II vamp is the signature Lydian Dominant sound, used in jazz for non-resolving dominant passages. These chords create forward motion without traditional tension, ideal for fusion and progressive jazz. Commonly used in Jazz, Fusion, Blues, Film Scores. Notable players include Frank Zappa, Larry Carlton, Pat Metheny.

The D# lydian dominant scale has the following degrees: 1 2 3 ♯4 5 6 ♭7.

Intervals: W-W-W-H-W-H-W.

Diatonic chords: D# major, F major, G diminished, A diminished, A# minor, C minor, C# augmented.

DegreesChord
ID# major
iiF major
iiiG diminished
IVA diminished
VA# minor
viC minor
vii°C# augmented

Degree-by-Degree Analysis

The I chord (D# major) is the tonic — the gravitational center of the key. The ii chord (F major) is the minor subdominant, commonly used to approach the V chord. The iii chord (G diminished) functions as a substitute for the I or vi. The IV chord (A diminished) is the subdominant — it adds motion and moderate tension. The V chord (A# minor) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (C minor) is the relative minor — it brings emotional color and depth. The vii° chord (C# augmented) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D# lydian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D# lydian dominant scale on ukulele.

lydian dominant is the 4th mode of the Melodic Minor scale (Acoustic scale). View D# Melodic minor scale

Related Scales

How to Use This Scale

Use over 7#11, 9#11 chords. Ideal for non-resolving dominant chords (the 'Simpsons chord'). Gives a sophisticated twist to blues progressions.

Explore D# lydian dominant Further