D# locrian chords

All ukulele chords for the D# locrian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

D♯ locrian scale diatonic chords

IE♭ dim
GCEA132
5frGCEA42138frGCEA12439frGCEA1134
IIE major
GCEA142
GCEA23414frGCEA11147frGCEA1143
IIIF♯ minor
GCEA213
GCEA21344frGCEA34219frGCEA1113
IVA♭ minor
GCEA1342
GCEA32413frGCEA21346frGCEA3421
VA major
GCEA21
2frGCEA12434frGCEA11429frGCEA1114
VIB major
GCEA1132
4frGCEA12436frGCEA113211frGCEA1114
VIIC♯ minor
GCEA1234
4frGCEA11124frGCEA11346frGCEA1342

D♯ locrian scale seventh chords

IE♭ m7♭5
GCEA1123
5frGCEA23148frGCEA123411frGCEA1132
IIE maj7
GCEA132
4frGCEA11136frGCEA43217frGCEA1123
IIIF♯ m7
GCEA1324
5frGCEA22139frGCEA111111frGCEA2213
IVA♭ m7
GCEA2213
4frGCEA13247frGCEA221311frGCEA1111
VA maj7
GCEA12
GCEA12345frGCEA24139frGCEA1113
VIB 7
GCEA1112
4frGCEA13247frGCEA231411frGCEA1112
VIIC♯ m7
GCEA123
GCEA11116frGCEA22139frGCEA1324

scale

Ukulele fretboard diagram

D# locrian scale — ukulele fretboard diagramInteractive fretboard diagram showing the D# locrian scale on ukulele with 15 frets. Notes: A, B, C#, D#, E, F#, G#.ABC#D#EF#G#ABEF#G#ABC#D#EF#C#D#EF#G#ABC#D#G#ABC#D#EF#G#A13579111213

D# locrian scale — ukulele chords and intervals

The harmonized D# locrian scale generates the most unstable chord family of all the modes, with a diminished tonic chord that provides no sense of rest. This makes Locrian harmony a specialized tool for creating extreme tension. The chords of D# locrian are D#m7b5, EMaj7, F#m7, G#m7, AMaj7, B7, C#m7. In practice, Locrian chords are used over half-diminished passages in jazz rather than as a standalone key. The i°-bII movement creates a restless, searching quality useful for transitional sections and building suspense. Commonly used in Jazz, Metal, Experimental, Avant-Garde. Notable players include John Coltrane, Meshuggah, Dream Theater.

The D# locrian scale has the following degrees: 1 ♭2 ♭3 4 ♭5 ♭6 ♭7.

Intervals: H-W-W-H-W-W-W.

Diatonic chords: D#m7b5, EMaj7, F#m7, G#m7, AMaj7, B7, C#m7.

DegreesChord
ID#m7b5
iiEMaj7
iiiF#m7
IVG#m7
VAMaj7
viB7
vii°C#m7

Degree-by-Degree Analysis

The I chord (D#m7b5) is the tonic — the gravitational center of the key. The ii chord (EMaj7) is the minor subdominant, commonly used to approach the V chord. The iii chord (F#m7) functions as a substitute for the I or vi. The IV chord (G#m7) is the subdominant — it adds motion and moderate tension. The V chord (AMaj7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (B7) is the relative minor — it brings emotional color and depth. The vii° chord (C#m7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D# locrian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D# locrian scale on ukulele.

locrian is the 7th mode of the Major scale. View D# Major scale

Related Scales

How to Use This Scale

Use over m7b5 (half-diminished) chords. Essential for jazz ii-V-i in minor keys where the ii chord is half-diminished.

Explore D# locrian Further