D# leading whole tone chords

All ukulele chords for the D# leading whole tone scale

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Harmony
Originalii–V–ISec. Dom.
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D♯ leading whole tone scale diatonic chords

IE♭ aug
GCEA321
GCEA32213frGCEA21144frGCEA1342
IIF aug
GCEA312
GCEA21142frGCEA13425frGCEA2114
IIIG major
GCEA132
GCEA31212frGCEA31247frGCEA1114
IVA unknown
A - C♯ - D♯
VB dim
GCEA4213
4frGCEA12435frGCEA31418frGCEA2431
VIE♭ unknown
C♯ - D♯ - G
VIID minor
GCEA231
2frGCEA12345frGCEA31115frGCEA3114

D♯ leading whole tone scale seventh chords

IE♭ major seventh flat sixth
D♯ - G - B - D
IIF unknown
F - A - C♯ - D♯
IIIG 7
GCEA213
3frGCEA23147frGCEA111210frGCEA1211
IVA unknown
A - C♯ - D♯ - G
VB m7♭5
GCEA2314
4frGCEA12347frGCEA131210frGCEA1213
VIE♭ unknown
C♯ - D♯ - G - B
VIID mmaj7
GCEA2214
4frGCEA42215frGCEA21117frGCEA1342

scale

Ukulele fretboard diagram

D# leading whole tone scale — ukulele fretboard diagramInteractive fretboard diagram showing the D# leading whole tone scale on ukulele with 15 frets. Notes: A, B, C#, D, D#, F, G.ABC#DD#FGABFGABC#DD#FGC#DD#FGABC#DD#GABC#DD#FGA13579111213

D# leading whole tone scale — ukulele chords and intervals

The harmonized D# leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from D# leading whole tone are D# augmented, F augmented, G major, A unknown, B diminished, D# unknown, D minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The D# leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: D# augmented, F augmented, G major, A unknown, B diminished, D# unknown, D minor.

DegreesChord
ID# augmented
iiF augmented
iiiG major
IVA unknown
VB diminished
viD# unknown
vii°D minor

Degree-by-Degree Analysis

The I chord (D# augmented) is the tonic — the gravitational center of the key. The ii chord (F augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (G major) functions as a substitute for the I or vi. The IV chord (A unknown) is the subdominant — it adds motion and moderate tension. The V chord (B diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (D# unknown) is the relative minor — it brings emotional color and depth. The vii° chord (D minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D# leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D# leading whole tone scale on ukulele.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore D# leading whole tone Further