D# composite blues chords

All ukulele chords for the D# composite blues scale

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Harmony
Originalii–V–ISec. Dom.
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Ukulele fretboard diagram

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D# composite blues scale — ukulele fretboard diagramInteractive fretboard diagram showing the D# composite blues scale on ukulele with 15 frets. Notes: A, A#, C, C#, D#, F, F#, G, G#.AA#CC#D#FF#GG#AA#CFF#GG#AA#CC#D#FF#GCC#D#FF#GG#AA#CC#D#GG#AA#CC#D#FF#GG#AA#13579111213

D# composite blues scale — ukulele chords and intervals

Harmonizing the D# composite blues scale produces a comprehensive jazz chord family that merges major and minor blues structures into a single, flexible harmonic palette. The chords of D# composite blues are D# (1-♭3-4), F (1-2-3), F# (1-2-3), A minor seventh, A# minor seventh, A diminished, A# minor, C diminished, C# (1-3-♭5). The nine chords allow improvisers to freely mix happy and gritty chord colors over dominant harmony. This chord family is the ultimate toolkit for jazz-blues comping, providing every shade between major and minor. Commonly used in Jazz, Blues, Fusion, Funk. Notable players include John Scofield, Robben Ford, Larry Carlton.

The D# composite blues scale has the following degrees: 1 2 ♭3 3 4 ♭5 5 6 ♭7.

Intervals: W-H-H-H-H-H-W-H-W.

Diatonic chords: D# (1-♭3-4), F (1-2-3), F# (1-2-3), A minor seventh, A# minor seventh, A diminished, A# minor, C diminished, C# (1-3-♭5).

DegreesChord
ID# (1-♭3-4)
iiF (1-2-3)
iiiF# (1-2-3)
IVA minor seventh
VA# minor seventh
viA diminished
vii°A# minor
8C diminished
9C# (1-3-♭5)

Degree-by-Degree Analysis

The I chord (D# (1-♭3-4)) is the tonic — the gravitational center of the key. The ii chord (F (1-2-3)) is the minor subdominant, commonly used to approach the V chord. The iii chord (F# (1-2-3)) functions as a substitute for the I or vi. The IV chord (A minor seventh) is the subdominant — it adds motion and moderate tension. The V chord (A# minor seventh) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (A diminished) is the relative minor — it brings emotional color and depth. The vii° chord (A# minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D# composite blues scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D# composite blues scale on ukulele.

Related Scales

How to Use This Scale

Use over dominant 7th chords in blues and jazz-blues. Contains both major and minor 3rds, allowing fluid switching between bright and dark.

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