D# balinese chords

All ukulele chords for the D# balinese scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

D♯ balinese scale diatonic chords

IE♭ minor
GCEA3421
3frGCEA33316frGCEA11136frGCEA1134
IIE major
GCEA142
GCEA23414frGCEA11147frGCEA1143
IIIF♯ aug
GCEA2231
2frGCEA11243frGCEA13426frGCEA1124
IVA♭ minor
GCEA1342
GCEA32413frGCEA21346frGCEA3421
VB♭ unknown
A♯ - D - E
VIB major
GCEA1132
4frGCEA12436frGCEA113211frGCEA1114
VIIE unknown
D - E - G♯

D♯ balinese scale seventh chords

IE♭ mmaj7
2frGCEA2214
5frGCEA22416frGCEA11128frGCEA1342
IIE maj7
GCEA132
4frGCEA11136frGCEA43217frGCEA1123
IIIF♯ unknown
F♯ - A♯ - D - E
IVA♭ m7
GCEA2213
4frGCEA13247frGCEA221311frGCEA1111
VB♭ unknown
A♯ - D - E - G♯
VIB maj7
GCEA4321
GCEA11234frGCEA12347frGCEA2413
VIIE 7
GCEA123
4frGCEA11127frGCEA11129frGCEA1324

scale

Ukulele fretboard diagram

D# balinese scale — ukulele fretboard diagramInteractive fretboard diagram showing the D# balinese scale on ukulele with 15 frets. Notes: A#, B, D, D#, E, F#, G#.A#BDD#EF#G#A#BEF#G#A#BDD#EF#DD#EF#G#A#BDD#G#A#BDD#EF#G#A#13579111213

D# balinese scale — ukulele chords and intervals

Harmonizing the D# balinese scale yields a dark, meditative chord set from the Gamelan tradition. The chords of D# balinese are D# minor, E major, F# augmented, G# minor, A# unknown, B major, E unknown. These chords create a shimmering, Southeast Asian harmonic world that feels ancient and spiritual. Use them for cultural scoring or to add a haunting, non-Western harmonic flavor to contemporary music. Commonly used in Gamelan, World, Ambient, Film Scores. Notable players include Colin McPhee, Steve Reich.

The D# balinese scale has the following degrees: 1 ♭2 ♭3 4 5 ♭6 7.

Intervals: H-W-W-W-H-3H-H.

Diatonic chords: D# minor, E major, F# augmented, G# minor, A# unknown, B major, E unknown.

DegreesChord
ID# minor
iiE major
iiiF# augmented
IVG# minor
VA# unknown
viB major
vii°E unknown

Degree-by-Degree Analysis

The I chord (D# minor) is the tonic — the gravitational center of the key. The ii chord (E major) is the minor subdominant, commonly used to approach the V chord. The iii chord (F# augmented) functions as a substitute for the I or vi. The IV chord (G# minor) is the subdominant — it adds motion and moderate tension. The V chord (A# unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (B major) is the relative minor — it brings emotional color and depth. The vii° chord (E unknown) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D# balinese scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D# balinese scale on ukulele.

Related Scales

How to Use This Scale

Use over drones and sustained bass notes. Traditional Gamelan music doesn't use chords — the scale is inherently melodic and interlocking.

Explore D# balinese Further