D# altered chords

All ukulele chords for the D# altered scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

D♯ altered scale diatonic chords

IE♭ dim
GCEA132
5frGCEA42138frGCEA12439frGCEA1134
IIE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113
IIIE♯# minor
E♯# - A - C♯
IVG aug
GCEA231
GCEA22313frGCEA11244frGCEA1342
VA major
GCEA21
2frGCEA12434frGCEA11429frGCEA1114
VIB major
GCEA1132
4frGCEA12436frGCEA113211frGCEA1114
VIIC♯ dim
3frGCEA4213
6frGCEA12437frGCEA113410frGCEA2431

D♯ altered scale seventh chords

IE♭ m7♭5
GCEA1123
5frGCEA23148frGCEA123411frGCEA1132
IIE mmaj7
GCEA21
3frGCEA22146frGCEA22417frGCEA1112
IIIE♯# m7
E♯# - A - C♯ - E
IVG major seventh flat sixth
G - B - D♯ - E♯#
VA 7
GCEA1
GCEA13245frGCEA23149frGCEA1112
VIB 7
GCEA1112
4frGCEA13247frGCEA231411frGCEA1112
VIIC♯ m7♭5
GCEA12
GCEA23146frGCEA12349frGCEA1132

scale

Ukulele fretboard diagram

D# altered scale — ukulele fretboard diagramInteractive fretboard diagram showing the D# altered scale on ukulele with 15 frets. Notes: A, B, C#, D#, E, F#, G.ABC#D#EF#GABEF#GABC#D#EF#GC#D#EF#GABC#D#GABC#D#EF#GA13579111213

D# altered scale — ukulele chords and intervals

Harmonizing the D# altered scale produces the most tension-filled chord family in jazz. Every chord contains altered tones that demand resolution, making this the ultimate tool for dominant-function harmony. The chords of D# altered are D# diminished, E minor, E## minor, G augmented, A major, B major, C# diminished. Use these chords over V7alt passages to create maximum pull toward the tonic. The altered chord family is essential for jazz reharmonization, turning simple changes into rich, chromatic voice leading. Commonly used in Jazz, Fusion, Post-Bop, Contemporary. Notable players include John Coltrane, Michael Brecker, Pat Metheny, Chick Corea.

The D# altered scale has the following degrees: 1 ♭2 ♯2 3 ♯4 ♭6 ♭7.

Intervals: H-W-H-W-W-W-W.

Diatonic chords: D# diminished, E minor, E## minor, G augmented, A major, B major, C# diminished.

DegreesChord
ID# diminished
iiE minor
iiiE## minor
IVG augmented
VA major
viB major
vii°C# diminished

Degree-by-Degree Analysis

The I chord (D# diminished) is the tonic — the gravitational center of the key. The ii chord (E minor) is the minor subdominant, commonly used to approach the V chord. The iii chord (E## minor) functions as a substitute for the I or vi. The IV chord (G augmented) is the subdominant — it adds motion and moderate tension. The V chord (A major) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (B major) is the relative minor — it brings emotional color and depth. The vii° chord (C# diminished) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D# altered scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D# altered scale on ukulele.

altered is the 7th mode of the Melodic Minor scale (Super Locrian). View D# Melodic minor scale

Related Scales

How to Use This Scale

Use over 7alt, 7#9, 7b9, 7#5, 7b5 chords. The definitive scale for altered dominant chords that resolve to minor. Play C Altered over C7alt resolving to Fm.

Explore D# altered Further