D phrygian dominant chords

All ukulele chords for the D phrygian dominant scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

D phrygian dominant scale diatonic chords

ID major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
IIE♭ major
GCEA341
GCEA23413frGCEA11146frGCEA1132
IIIF♯ dim
GCEA23
3frGCEA24318frGCEA421311frGCEA1243
IVG minor
GCEA231
GCEA32412frGCEA21345frGCEA3421
VA dim
2frGCEA1243
3frGCEA11346frGCEA243111frGCEA4213
VIB♭ aug
GCEA2231
2frGCEA11243frGCEA13426frGCEA1124
VIIC minor
GCEA123
3frGCEA11133frGCEA11345frGCEA1342

D phrygian dominant scale seventh chords

ID 7
GCEA1112
5frGCEA11127frGCEA132410frGCEA2314
IIE♭ maj7
3frGCEA1113
5frGCEA43216frGCEA11238frGCEA1234
IIIF♯ dim7
GCEA1324
5frGCEA13248frGCEA132411frGCEA1324
IVG mmaj7
GCEA231
3frGCEA11436frGCEA22149frGCEA2241
VA m7♭5
GCEA1234
5frGCEA11328frGCEA112311frGCEA2314
VIB♭ major seventh flat sixth
B♭ - D - F♯ - A
VIIC m7
GCEA1111
5frGCEA22138frGCEA132411frGCEA2213

scale

Ukulele fretboard diagram

D phrygian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the D phrygian dominant scale on ukulele with 15 frets. Notes: A, A#, C, D, D#, F#, G.AA#CDD#F#GAA#CF#GAA#CDD#F#GCDD#F#GAA#CDD#GAA#CDD#F#GAA#13579111213

D phrygian dominant scale — ukulele chords and intervals

The harmonized D phrygian dominant scale generates the definitive chord family of Flamenco, Klezmer, and Middle Eastern music, combining a major tonic with the dark bII chord. The chords from D phrygian dominant are D major, Eb major, F# diminished, G minor, A diminished, Bb augmented, C minor. The I-bII oscillation is the most iconic progression in Spanish music. The chord family includes both major and minor colors, allowing for passionate, dramatic songwriting that shifts between light and shadow. Commonly used in Flamenco, Metal, Middle Eastern, Klezmer, Film Scores. Notable players include Marty Friedman, Paco de Lucia, Ritchie Blackmore, Al Di Meola.

The D phrygian dominant scale has the following degrees: 1 ♭2 3 4 5 ♭6 ♭7.

Intervals: H-3H-H-W-H-W-W.

Diatonic chords: D major, Eb major, F# diminished, G minor, A diminished, Bb augmented, C minor.

DegreesChord
ID major
iiEb major
iiiF# diminished
IVG minor
VA diminished
viBb augmented
vii°C minor

Degree-by-Degree Analysis

The I chord (D major) is the tonic — the gravitational center of the key. The ii chord (Eb major) is the minor subdominant, commonly used to approach the V chord. The iii chord (F# diminished) functions as a substitute for the I or vi. The IV chord (G minor) is the subdominant — it adds motion and moderate tension. The V chord (A diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Bb augmented) is the relative minor — it brings emotional color and depth. The vii° chord (C minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D phrygian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D phrygian dominant scale on ukulele.

phrygian dominant is the 5th mode of the Harmonic Minor scale. View D Harmonic minor scale

Related Scales

How to Use This Scale

Use over dominant chords in flamenco/metal contexts, especially V7 in harmonic minor. The go-to for 'Spanish' or 'Arabic' sounding lines.

Explore D phrygian dominant Further