D melodic minor chords

All ukulele chords for the D melodic minor scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

D melodic minor scale diatonic chords

ID minor
GCEA231
2frGCEA12345frGCEA11135frGCEA1134
IIE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113
IIIF aug
GCEA312
GCEA11242frGCEA13425frGCEA1124
IVG major
GCEA132
GCEA11322frGCEA31247frGCEA1114
VA major
GCEA21
2frGCEA12434frGCEA11429frGCEA1114
VIB dim
GCEA4213
4frGCEA12435frGCEA11348frGCEA2431
VIIC♯ dim
3frGCEA4213
6frGCEA12437frGCEA113410frGCEA2431

D melodic minor scale seventh chords

ID mmaj7
GCEA2214
4frGCEA22415frGCEA11127frGCEA1342
IIE m7
GCEA12
3frGCEA22137frGCEA11119frGCEA2213
IIIF maj7♯5
GCEA2314
5frGCEA11237frGCEA42318frGCEA2341
IVG 7
GCEA213
3frGCEA23147frGCEA111210frGCEA1112
VA 7
GCEA1
GCEA13245frGCEA23149frGCEA1112
VIB m7♭5
GCEA2314
4frGCEA12347frGCEA113210frGCEA1123
VIIC♯ m7♭5
GCEA12
GCEA23146frGCEA12349frGCEA1132

scale

Ukulele fretboard diagram

D melodic minor scale — ukulele fretboard diagramInteractive fretboard diagram showing the D melodic minor scale on ukulele with 15 frets. Notes: A, B, C#, D, E, F, G.ABC#DEFGABEFGABC#DEFGC#DEFGABC#DGABC#DEFGA13579111213

D melodic minor scale — ukulele chords and intervals

The harmonized D melodic minor scale generates a sophisticated chord family widely used in jazz composition and arranging. Its unique combination of altered chords makes it the go-to source for modern harmonic color. The chords built from D melodic minor are Dm6, Em7, F+maj7, G7, A7, Bm7b5, C#m7b5. The i-II progression creates a distinctive jazz-minor sound, and the IV7 chord is the basis for the Lydian Dominant sound used in fusion. Many jazz standards exploit these chords for smooth, unexpected voice leading. Commonly used in Jazz, Fusion, Contemporary Classical, Progressive. Notable players include Pat Metheny, John Coltrane, Allan Holdsworth.

The D melodic minor scale has the following degrees: 1 2 ♭3 4 5 6 7.

Intervals: W-H-W-W-W-W-H.

Diatonic chords: Dm6, Em7, F+maj7, G7, A7, Bm7b5, C#m7b5.

DegreesChord
IDm6
iiEm7
iiiF+maj7
IVG7
VA7
viBm7b5
vii°C#m7b5

Degree-by-Degree Analysis

The I chord (Dm6) is the tonic — the gravitational center of the key. The ii chord (Em7) is the minor subdominant, commonly used to approach the V chord. The iii chord (F+maj7) functions as a substitute for the I or vi. The IV chord (G7) is the subdominant — it adds motion and moderate tension. The V chord (A7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Bm7b5) is the relative minor — it brings emotional color and depth. The vii° chord (C#m7b5) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D melodic minor scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D melodic minor scale on ukulele.

Related Scales

How to Use This Scale

Use over m(Maj7), m6 chords. Its modes cover nearly every altered dominant situation in jazz. The 'jazz minor' is the single most important advanced scale system.

Explore D melodic minor Further