D lydian chords

All ukulele chords for the D lydian scale

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Harmony
Originalii–V–ISec. Dom.

D lydian scale diatonic chords

ID major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
IIE major
GCEA142
GCEA23414frGCEA11147frGCEA1143
IIIF♯ minor
GCEA213
GCEA21344frGCEA34219frGCEA1113
IVA♭ dim
GCEA1243
GCEA11345frGCEA243110frGCEA4213
VA major
GCEA21
2frGCEA12434frGCEA11429frGCEA1114
VIB minor
GCEA1113
2frGCEA11344frGCEA13425frGCEA3241
VIIC♯ minor
GCEA1234
4frGCEA11124frGCEA11346frGCEA1342

D lydian scale seventh chords

ID maj7
GCEA1113
4frGCEA43215frGCEA11237frGCEA1234
IIE 7
GCEA123
4frGCEA11127frGCEA11129frGCEA1324
IIIF♯ m7
GCEA1324
5frGCEA22139frGCEA111111frGCEA2213
IVA♭ m7♭5
GCEA1234
4frGCEA11327frGCEA112310frGCEA2314
VA maj7
GCEA12
GCEA12345frGCEA24139frGCEA1113
VIB m7
GCEA1111
4frGCEA22137frGCEA132410frGCEA2213
VIIC♯ m7
GCEA123
GCEA11116frGCEA22139frGCEA1324

scale

Ukulele fretboard diagram

D lydian scale — ukulele fretboard diagramInteractive fretboard diagram showing the D lydian scale on ukulele with 15 frets. Notes: A, B, C#, D, E, F#, G#.ABC#DEF#G#ABEF#G#ABC#DEF#C#DEF#G#ABC#DG#ABC#DEF#G#A13579111213

D lydian scale — ukulele chords and intervals

Harmonizing the D lydian scale produces a luminous chord family where the II major chord replaces the typical ii minor. This bright alteration gives Lydian harmony its characteristic floating, unresolved quality. The diatonic chords of D lydian are DMaj7, E7, F#m7, G#m7b5, AMaj7, Bm7, C#m7. The I-II progression is the hallmark Lydian vamp, creating a sense of wonder without traditional tension. Film composers favor Lydian harmony for scenes of awe and discovery. The #iv diminished chord adds a touch of instability that keeps the brightness from becoming static. Commonly used in Film Scores, Progressive Rock, Fusion, Ambient, Dream Pop. Notable players include Joe Satriani, Steve Vai, John Williams, Hans Zimmer.

The D lydian scale has the following degrees: 1 2 3 ♯4 5 6 7.

Intervals: W-W-W-H-W-W-H.

Diatonic chords: DMaj7, E7, F#m7, G#m7b5, AMaj7, Bm7, C#m7.

DegreesChord
IDMaj7
iiE7
iiiF#m7
IVG#m7b5
VAMaj7
viBm7
vii°C#m7

Degree-by-Degree Analysis

The I chord (DMaj7) is the tonic — the gravitational center of the key. The ii chord (E7) is the minor subdominant, commonly used to approach the V chord. The iii chord (F#m7) functions as a substitute for the I or vi. The IV chord (G#m7b5) is the subdominant — it adds motion and moderate tension. The V chord (AMaj7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Bm7) is the relative minor — it brings emotional color and depth. The vii° chord (C#m7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D lydian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D lydian scale on ukulele.

lydian is the 4th mode of the Major scale. View D Major scale

Related Scales

How to Use This Scale

Use over Maj7#11, Maj9 chords. Ideal for non-resolving major passages. Avoid when the music needs to feel grounded or resolved.

Explore D lydian Further