D lydian dominant chords

All ukulele chords for the D lydian dominant scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

D lydian dominant scale diatonic chords

ID major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
IIE major
GCEA142
GCEA23414frGCEA11147frGCEA1143
IIIF♯ dim
GCEA23
3frGCEA24318frGCEA421311frGCEA1243
IVA♭ dim
GCEA1243
GCEA11345frGCEA243110frGCEA4213
VA minor
GCEA2
GCEA232frGCEA13423frGCEA3241
VIB minor
GCEA1113
2frGCEA11344frGCEA13425frGCEA3241
VIIC aug
GCEA14
GCEA13423frGCEA42314frGCEA1124

D lydian dominant scale seventh chords

ID 7
GCEA1112
5frGCEA11127frGCEA132410frGCEA2314
IIE 7
GCEA123
4frGCEA11127frGCEA11129frGCEA1324
IIIF♯ m7♭5
GCEA1132
5frGCEA11238frGCEA231411frGCEA1234
IVA♭ m7♭5
GCEA1234
4frGCEA11327frGCEA112310frGCEA2314
VA mmaj7
GCEA1
GCEA13425frGCEA11438frGCEA2214
VIB m7
GCEA1111
4frGCEA22137frGCEA132410frGCEA2213
VIIC major seventh flat sixth
C - E - G♯ - B

scale

Ukulele fretboard diagram

D lydian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the D lydian dominant scale on ukulele with 15 frets. Notes: A, B, C, D, E, F#, G#.ABCDEF#G#ABCEF#G#ABCDEF#CDEF#G#ABCDG#ABCDEF#G#A13579111213

D lydian dominant scale — ukulele chords and intervals

The harmonized D lydian dominant scale produces a bright, quirky chord family centered around a dominant seventh tonic with a raised fourth — the Acoustic chord. The chords from D lydian dominant are D major, E major, F# diminished, G# diminished, A minor, B minor, C augmented. The I7-II vamp is the signature Lydian Dominant sound, used in jazz for non-resolving dominant passages. These chords create forward motion without traditional tension, ideal for fusion and progressive jazz. Commonly used in Jazz, Fusion, Blues, Film Scores. Notable players include Frank Zappa, Larry Carlton, Pat Metheny.

The D lydian dominant scale has the following degrees: 1 2 3 ♯4 5 6 ♭7.

Intervals: W-W-W-H-W-H-W.

Diatonic chords: D major, E major, F# diminished, G# diminished, A minor, B minor, C augmented.

DegreesChord
ID major
iiE major
iiiF# diminished
IVG# diminished
VA minor
viB minor
vii°C augmented

Degree-by-Degree Analysis

The I chord (D major) is the tonic — the gravitational center of the key. The ii chord (E major) is the minor subdominant, commonly used to approach the V chord. The iii chord (F# diminished) functions as a substitute for the I or vi. The IV chord (G# diminished) is the subdominant — it adds motion and moderate tension. The V chord (A minor) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (B minor) is the relative minor — it brings emotional color and depth. The vii° chord (C augmented) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D lydian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D lydian dominant scale on ukulele.

lydian dominant is the 4th mode of the Melodic Minor scale (Acoustic scale). View D Melodic minor scale

Related Scales

How to Use This Scale

Use over 7#11, 9#11 chords. Ideal for non-resolving dominant chords (the 'Simpsons chord'). Gives a sophisticated twist to blues progressions.

Explore D lydian dominant Further