D ionian chords

All ukulele chords for the D ionian scale

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Harmony
Originalii–V–ISec. Dom.

D ionian scale diatonic chords

ID major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
IIE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113
IIIF♯ minor
GCEA213
GCEA21344frGCEA34219frGCEA1113
IVG major
GCEA132
GCEA11322frGCEA31247frGCEA1114
VA major
GCEA21
2frGCEA12434frGCEA11429frGCEA1114
VIB minor
GCEA1113
2frGCEA11344frGCEA13425frGCEA3241
VIIC♯ dim
3frGCEA4213
6frGCEA12437frGCEA113410frGCEA2431

D ionian scale seventh chords

ID maj7
GCEA1113
4frGCEA43215frGCEA11237frGCEA1234
IIE m7
GCEA12
3frGCEA22137frGCEA11119frGCEA2213
IIIF♯ m7
GCEA1324
5frGCEA22139frGCEA111111frGCEA2213
IVG maj7
GCEA123
3frGCEA24137frGCEA11139frGCEA4321
VA 7
GCEA1
GCEA13245frGCEA23149frGCEA1112
VIB m7
GCEA1111
4frGCEA22137frGCEA132410frGCEA2213
VIIC♯ m7♭5
GCEA12
GCEA23146frGCEA12349frGCEA1132

scale

Ukulele fretboard diagram

D ionian scale — ukulele fretboard diagramInteractive fretboard diagram showing the D ionian scale on ukulele with 15 frets. Notes: A, B, C#, D, E, F#, G.ABC#DEF#GABEF#GABC#DEF#GC#DEF#GABC#DGABC#DEF#GA13579111213

D ionian scale — ukulele chords and intervals

The harmonized D ionian scale produces the same chord family as the major scale, forming the reference point for all diatonic harmony. Every chord built from this mode occupies a clear functional role: tonic, subdominant, or dominant. The diatonic chords of D ionian are DMaj7, Em7, F#m7, GMaj7, A7, Bm7, C#m7b5. The I-vi-IV-V turnaround is a classic pop foundation, while the I-iii-vi-ii-V chain creates elegant descending-fifth motion ideal for standards and ballads. Commonly used in Pop, Classical, Folk, Country. Notable players include The Beatles, Bob Dylan, James Taylor.

The D ionian scale has the following degrees: 1 2 3 4 5 6 7.

Intervals: W-W-H-W-W-W-H.

Diatonic chords: DMaj7, Em7, F#m7, GMaj7, A7, Bm7, C#m7b5.

DegreesChord
IDMaj7
iiEm7
iiiF#m7
IVGMaj7
VA7
viBm7
vii°C#m7b5

Degree-by-Degree Analysis

The I chord (DMaj7) is the tonic — the gravitational center of the key. The ii chord (Em7) is the minor subdominant, commonly used to approach the V chord. The iii chord (F#m7) functions as a substitute for the I or vi. The IV chord (GMaj7) is the subdominant — it adds motion and moderate tension. The V chord (A7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Bm7) is the relative minor — it brings emotional color and depth. The vii° chord (C#m7b5) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D ionian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D ionian scale on ukulele.

ionian is the 1st mode of the Major scale. View D Major scale

Related Scales

How to Use This Scale

Use over Maj7, Maj9, major triads. The default safe choice for any major-key context.

Explore D ionian Further