scale
Ukulele fretboard diagram
D dorian scale — ukulele chords and intervals
Harmonizing the D dorian scale yields a minor chord family with a distinctly brighter character thanks to the major IV chord. This single difference from natural minor opens up unique songwriting possibilities. The diatonic chords of D dorian are Dm7, Em7, FMaj7, G7, Am7, Bm7b5, CMaj7. The i-IV vamp is the quintessential Dorian sound, heard in funk and jazz-rock. The presence of a major IV chord in a minor key creates an uplifting tension that makes Dorian progressions feel hopeful yet soulful. Commonly used in Funk, Jazz, Fusion, Neo-Soul, Blues. Notable players include Miles Davis, Herbie Hancock, Carlos Santana, D'Angelo.
The D dorian scale has the following degrees: 1 2 ♭3 4 5 6 ♭7.
Intervals: W-H-W-W-W-H-W.
Diatonic chords: Dm7, Em7, FMaj7, G7, Am7, Bm7b5, CMaj7.
| Degrees | Chord |
|---|---|
| I | Dm7 |
| ii | Em7 |
| iii | FMaj7 |
| IV | G7 |
| V | Am7 |
| vi | Bm7b5 |
| vii° | CMaj7 |
Degree-by-Degree Analysis
The I chord (Dm7) is the tonic — the gravitational center of the key. The ii chord (Em7) is the minor subdominant, commonly used to approach the V chord. The iii chord (FMaj7) functions as a substitute for the I or vi. The IV chord (G7) is the subdominant — it adds motion and moderate tension. The V chord (Am7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Bm7b5) is the relative minor — it brings emotional color and depth. The vii° chord (CMaj7) is the diminished — the most tense, rarely used alone, usually leading to the I.
This page focuses on the harmonic content — the chords built from each degree of the D dorian scale. For fretboard patterns and fingering guides, see the scale page.
Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D dorian scale on ukulele.
dorian is the 2nd mode of the Major scale. View D Major scale
Related Scales
How to Use This Scale
Use over m7, m9, m11, m13 chords. The go-to scale for any minor chord in funk, jazz, and soul. Works especially well over long minor vamps.