D altered chords

All ukulele chords for the D altered scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

D altered scale diatonic chords

ID dim
4frGCEA4213
7frGCEA12438frGCEA113411frGCEA2431
IIE♭ minor
GCEA3421
3frGCEA33316frGCEA11136frGCEA1134
IIIF minor
GCEA124
3frGCEA34215frGCEA12348frGCEA1113
IVF♯ aug
GCEA2231
2frGCEA11243frGCEA13426frGCEA1124
VA♭ major
GCEA1243
3frGCEA11323frGCEA31248frGCEA1114
VIB♭ major
GCEA1132
3frGCEA12435frGCEA113210frGCEA1114
VIIC dim
2frGCEA4213
5frGCEA12436frGCEA11349frGCEA2431

D altered scale seventh chords

ID m7♭5
GCEA1123
4frGCEA23147frGCEA123410frGCEA1132
IIE♭ mmaj7
2frGCEA2214
5frGCEA22416frGCEA11128frGCEA1342
IIIF m7
GCEA1324
4frGCEA22138frGCEA111110frGCEA2213
IVF♯ major seventh flat sixth
F♯ - B♭ - D - F
VA♭ 7
GCEA1324
4frGCEA23148frGCEA111211frGCEA1112
VIB♭ 7
GCEA1112
3frGCEA13246frGCEA231410frGCEA1112
VIIC m7♭5
GCEA2314
5frGCEA12348frGCEA113211frGCEA1123

scale

Ukulele fretboard diagram

D altered scale — ukulele fretboard diagramInteractive fretboard diagram showing the D altered scale on ukulele with 15 frets. Notes: A#, C, D, D#, F, F#, G#.A#CDD#FF#G#A#CFF#G#A#CDD#FF#CDD#FF#G#A#CDD#G#A#CDD#FF#G#A#13579111213

D altered scale — ukulele chords and intervals

Harmonizing the D altered scale produces the most tension-filled chord family in jazz. Every chord contains altered tones that demand resolution, making this the ultimate tool for dominant-function harmony. The chords of D altered are D diminished, Eb minor, F minor, F# augmented, G# major, Bb major, C diminished. Use these chords over V7alt passages to create maximum pull toward the tonic. The altered chord family is essential for jazz reharmonization, turning simple changes into rich, chromatic voice leading. Commonly used in Jazz, Fusion, Post-Bop, Contemporary. Notable players include John Coltrane, Michael Brecker, Pat Metheny, Chick Corea.

The D altered scale has the following degrees: 1 ♭2 ♯2 3 ♯4 ♭6 ♭7.

Intervals: H-W-H-W-W-W-W.

Diatonic chords: D diminished, Eb minor, F minor, F# augmented, G# major, Bb major, C diminished.

DegreesChord
ID diminished
iiEb minor
iiiF minor
IVF# augmented
VG# major
viBb major
vii°C diminished

Degree-by-Degree Analysis

The I chord (D diminished) is the tonic — the gravitational center of the key. The ii chord (Eb minor) is the minor subdominant, commonly used to approach the V chord. The iii chord (F minor) functions as a substitute for the I or vi. The IV chord (F# augmented) is the subdominant — it adds motion and moderate tension. The V chord (G# major) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Bb major) is the relative minor — it brings emotional color and depth. The vii° chord (C diminished) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D altered scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D altered scale on ukulele.

altered is the 7th mode of the Melodic Minor scale (Super Locrian). View D Melodic minor scale

Related Scales

How to Use This Scale

Use over 7alt, 7#9, 7b9, 7#5, 7b5 chords. The definitive scale for altered dominant chords that resolve to minor. Play C Altered over C7alt resolving to Fm.

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