C# phrygian dominant chords

All ukulele chords for the C# phrygian dominant scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

C♯ phrygian dominant scale diatonic chords

IC♯ major
GCEA1114
4frGCEA11326frGCEA12438frGCEA1132
IID major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
IIIF dim
2frGCEA2431
7frGCEA421310frGCEA124311frGCEA1134
IVF♯ minor
GCEA213
GCEA21344frGCEA34219frGCEA1113
VA♭ dim
GCEA1243
GCEA11345frGCEA243110frGCEA4213
VIA aug
GCEA312
GCEA11242frGCEA13425frGCEA1124
VIIB minor
GCEA1113
2frGCEA11344frGCEA13425frGCEA3241

C♯ phrygian dominant scale seventh chords

IC♯ 7
GCEA1112
4frGCEA11126frGCEA13249frGCEA2314
IID maj7
GCEA1113
4frGCEA43215frGCEA11237frGCEA1234
IIIF dim7
GCEA1324
4frGCEA13247frGCEA132410frGCEA1324
IVF♯ mmaj7
2frGCEA1143
5frGCEA22148frGCEA22419frGCEA1112
VA♭ m7♭5
GCEA1234
4frGCEA11327frGCEA112310frGCEA2314
VIA major seventh flat sixth
A - C♯ - F - G♯
VIIB m7
GCEA1111
4frGCEA22137frGCEA132410frGCEA2213

scale

Ukulele fretboard diagram

C# phrygian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the C# phrygian dominant scale on ukulele with 15 frets. Notes: A, B, C#, D, F, F#, G#.ABC#DFF#G#ABFF#G#ABC#DFF#C#DFF#G#ABC#DG#ABC#DFF#G#A13579111213

C# phrygian dominant scale — ukulele chords and intervals

The harmonized C# phrygian dominant scale generates the definitive chord family of Flamenco, Klezmer, and Middle Eastern music, combining a major tonic with the dark bII chord. The chords from C# phrygian dominant are C# major, D major, F diminished, F# minor, G# diminished, A augmented, B minor. The I-bII oscillation is the most iconic progression in Spanish music. The chord family includes both major and minor colors, allowing for passionate, dramatic songwriting that shifts between light and shadow. Commonly used in Flamenco, Metal, Middle Eastern, Klezmer, Film Scores. Notable players include Marty Friedman, Paco de Lucia, Ritchie Blackmore, Al Di Meola.

The C# phrygian dominant scale has the following degrees: 1 ♭2 3 4 5 ♭6 ♭7.

Intervals: H-3H-H-W-H-W-W.

Diatonic chords: C# major, D major, F diminished, F# minor, G# diminished, A augmented, B minor.

DegreesChord
IC# major
iiD major
iiiF diminished
IVF# minor
VG# diminished
viA augmented
vii°B minor

Degree-by-Degree Analysis

The I chord (C# major) is the tonic — the gravitational center of the key. The ii chord (D major) is the minor subdominant, commonly used to approach the V chord. The iii chord (F diminished) functions as a substitute for the I or vi. The IV chord (F# minor) is the subdominant — it adds motion and moderate tension. The V chord (G# diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (A augmented) is the relative minor — it brings emotional color and depth. The vii° chord (B minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the C# phrygian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the C# phrygian dominant scale on ukulele.

phrygian dominant is the 5th mode of the Harmonic Minor scale. View C# Harmonic minor scale

Related Scales

How to Use This Scale

Use over dominant chords in flamenco/metal contexts, especially V7 in harmonic minor. The go-to for 'Spanish' or 'Arabic' sounding lines.

Explore C# phrygian dominant Further