C# mixolydian chords

All ukulele chords for the C# mixolydian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

C♯ mixolydian scale diatonic chords

IC♯ major
GCEA1114
4frGCEA11326frGCEA12438frGCEA1132
IIE♭ minor
GCEA3421
3frGCEA33316frGCEA11136frGCEA1134
IIIF dim
2frGCEA2431
7frGCEA421310frGCEA124311frGCEA1134
IVF♯ major
GCEA1132
GCEA31246frGCEA11149frGCEA1132
VA♭ minor
GCEA1342
GCEA32413frGCEA21346frGCEA3421
VIB♭ minor
GCEA1113
GCEA11343frGCEA13424frGCEA3241
VIIB major
GCEA1132
4frGCEA12436frGCEA113211frGCEA1114

C♯ mixolydian scale seventh chords

IC♯ 7
GCEA1112
4frGCEA11126frGCEA13249frGCEA2314
IIE♭ m7
GCEA2213
6frGCEA11118frGCEA221311frGCEA1324
IIIF m7♭5
GCEA1132
4frGCEA11237frGCEA231410frGCEA1234
IVF♯ maj7
2frGCEA2413
6frGCEA11138frGCEA43219frGCEA1123
VA♭ m7
GCEA2213
4frGCEA13247frGCEA221311frGCEA1111
VIB♭ m7
GCEA1111
3frGCEA22136frGCEA13249frGCEA2213
VIIB maj7
GCEA4321
GCEA11234frGCEA12347frGCEA2413

scale

Ukulele fretboard diagram

C# mixolydian scale — ukulele fretboard diagramInteractive fretboard diagram showing the C# mixolydian scale on ukulele with 15 frets. Notes: A#, B, C#, D#, F, F#, G#.A#BC#D#FF#G#A#BFF#G#A#BC#D#FF#C#D#FF#G#A#BC#D#G#A#BC#D#FF#G#A#13579111213

C# mixolydian scale — ukulele chords and intervals

The harmonized C# mixolydian scale yields a chord family that combines major-key stability with a blues-inflected bVII chord. This flat seventh replaces the leading tone, creating a more relaxed, earthy harmonic feel. The chords of C# mixolydian are C#7, D#m7, Fm7b5, F#Maj7, G#m7, A#m7, BMaj7. The I-bVII-IV progression drives classic rock anthems, while the I-bVII cadence provides a satisfying resolution without the pull of a dominant V. Mixolydian harmony is essential for blues-rock, Southern rock, and folk-influenced songwriting. Commonly used in Blues, Rock, Country, Folk, Funk. Notable players include Jimi Hendrix, The Allman Brothers, AC/DC, Stevie Ray Vaughan.

The C# mixolydian scale has the following degrees: 1 2 3 4 5 6 ♭7.

Intervals: W-W-H-W-W-H-W.

Diatonic chords: C#7, D#m7, Fm7b5, F#Maj7, G#m7, A#m7, BMaj7.

DegreesChord
IC#7
iiD#m7
iiiFm7b5
IVF#Maj7
VG#m7
viA#m7
vii°BMaj7

Degree-by-Degree Analysis

The I chord (C#7) is the tonic — the gravitational center of the key. The ii chord (D#m7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Fm7b5) functions as a substitute for the I or vi. The IV chord (F#Maj7) is the subdominant — it adds motion and moderate tension. The V chord (G#m7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (A#m7) is the relative minor — it brings emotional color and depth. The vii° chord (BMaj7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the C# mixolydian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the C# mixolydian scale on ukulele.

mixolydian is the 5th mode of the Major scale. View C# Major scale

Related Scales

How to Use This Scale

Use over dominant 7th chords (7, 9, 13). The primary scale for blues-rock soloing over non-resolving dominant chords.

Explore C# mixolydian Further