C# lydian chords

All ukulele chords for the C# lydian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

C♯ lydian scale diatonic chords

IC♯ major
GCEA1114
4frGCEA11326frGCEA12438frGCEA1132
IIE♭ major
GCEA341
GCEA23413frGCEA11146frGCEA1132
IIIF minor
GCEA124
3frGCEA34215frGCEA12348frGCEA1113
IVG dim
GCEA132
GCEA11344frGCEA24319frGCEA4213
VA♭ major
GCEA1243
3frGCEA11323frGCEA31248frGCEA1114
VIB♭ minor
GCEA1113
GCEA11343frGCEA13424frGCEA3241
VIIC minor
GCEA123
3frGCEA11133frGCEA11345frGCEA1342

C♯ lydian scale seventh chords

IC♯ maj7
GCEA1113
4frGCEA11233frGCEA43216frGCEA1234
IIE♭ 7
GCEA1112
6frGCEA11128frGCEA132411frGCEA2314
IIIF m7
GCEA1324
4frGCEA22138frGCEA111110frGCEA2213
IVG m7♭5
GCEA123
3frGCEA11326frGCEA11239frGCEA2314
VA♭ maj7
GCEA1234
4frGCEA24138frGCEA111310frGCEA4321
VIB♭ m7
GCEA1111
3frGCEA22136frGCEA13249frGCEA2213
VIIC m7
GCEA1111
5frGCEA22138frGCEA132411frGCEA2213

scale

Ukulele fretboard diagram

C# lydian scale — ukulele fretboard diagramInteractive fretboard diagram showing the C# lydian scale on ukulele with 15 frets. Notes: A#, C, C#, D#, F, G, G#.A#CC#D#FGG#A#CFGG#A#CC#D#FGCC#D#FGG#A#CC#D#GG#A#CC#D#FGG#A#13579111213

C# lydian scale — ukulele chords and intervals

Harmonizing the C# lydian scale produces a luminous chord family where the II major chord replaces the typical ii minor. This bright alteration gives Lydian harmony its characteristic floating, unresolved quality. The diatonic chords of C# lydian are C#Maj7, D#7, Fm7, Gm7b5, G#Maj7, A#m7, Cm7. The I-II progression is the hallmark Lydian vamp, creating a sense of wonder without traditional tension. Film composers favor Lydian harmony for scenes of awe and discovery. The #iv diminished chord adds a touch of instability that keeps the brightness from becoming static. Commonly used in Film Scores, Progressive Rock, Fusion, Ambient, Dream Pop. Notable players include Joe Satriani, Steve Vai, John Williams, Hans Zimmer.

The C# lydian scale has the following degrees: 1 2 3 ♯4 5 6 7.

Intervals: W-W-W-H-W-W-H.

Diatonic chords: C#Maj7, D#7, Fm7, Gm7b5, G#Maj7, A#m7, Cm7.

DegreesChord
IC#Maj7
iiD#7
iiiFm7
IVGm7b5
VG#Maj7
viA#m7
vii°Cm7

Degree-by-Degree Analysis

The I chord (C#Maj7) is the tonic — the gravitational center of the key. The ii chord (D#7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Fm7) functions as a substitute for the I or vi. The IV chord (Gm7b5) is the subdominant — it adds motion and moderate tension. The V chord (G#Maj7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (A#m7) is the relative minor — it brings emotional color and depth. The vii° chord (Cm7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the C# lydian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the C# lydian scale on ukulele.

lydian is the 4th mode of the Major scale. View C# Major scale

Related Scales

How to Use This Scale

Use over Maj7#11, Maj9 chords. Ideal for non-resolving major passages. Avoid when the music needs to feel grounded or resolved.

Explore C# lydian Further