C# locrian chords

All ukulele chords for the C# locrian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

C♯ locrian scale diatonic chords

IC♯ dim
3frGCEA4213
6frGCEA12437frGCEA113410frGCEA2431
IID major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
IIIE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113
IVF♯ minor
GCEA213
GCEA21344frGCEA34219frGCEA1113
VG major
GCEA132
GCEA11322frGCEA31247frGCEA1114
VIA major
GCEA21
2frGCEA12434frGCEA11429frGCEA1114
VIIB minor
GCEA1113
2frGCEA11344frGCEA13425frGCEA3241

C♯ locrian scale seventh chords

IC♯ m7♭5
GCEA12
GCEA23146frGCEA12349frGCEA1132
IID maj7
GCEA1113
4frGCEA43215frGCEA11237frGCEA1234
IIIE m7
GCEA12
3frGCEA22137frGCEA11119frGCEA2213
IVF♯ m7
GCEA1324
5frGCEA22139frGCEA111111frGCEA2213
VG maj7
GCEA123
3frGCEA24137frGCEA11139frGCEA4321
VIA 7
GCEA1
GCEA13245frGCEA23149frGCEA1112
VIIB m7
GCEA1111
4frGCEA22137frGCEA132410frGCEA2213

scale

Ukulele fretboard diagram

C# locrian scale — ukulele fretboard diagramInteractive fretboard diagram showing the C# locrian scale on ukulele with 15 frets. Notes: A, B, C#, D, E, F#, G.ABC#DEF#GABEF#GABC#DEF#GC#DEF#GABC#DGABC#DEF#GA13579111213

C# locrian scale — ukulele chords and intervals

The harmonized C# locrian scale generates the most unstable chord family of all the modes, with a diminished tonic chord that provides no sense of rest. This makes Locrian harmony a specialized tool for creating extreme tension. The chords of C# locrian are C#m7b5, DMaj7, Em7, F#m7, GMaj7, A7, Bm7. In practice, Locrian chords are used over half-diminished passages in jazz rather than as a standalone key. The i°-bII movement creates a restless, searching quality useful for transitional sections and building suspense. Commonly used in Jazz, Metal, Experimental, Avant-Garde. Notable players include John Coltrane, Meshuggah, Dream Theater.

The C# locrian scale has the following degrees: 1 ♭2 ♭3 4 ♭5 ♭6 ♭7.

Intervals: H-W-W-H-W-W-W.

Diatonic chords: C#m7b5, DMaj7, Em7, F#m7, GMaj7, A7, Bm7.

DegreesChord
IC#m7b5
iiDMaj7
iiiEm7
IVF#m7
VGMaj7
viA7
vii°Bm7

Degree-by-Degree Analysis

The I chord (C#m7b5) is the tonic — the gravitational center of the key. The ii chord (DMaj7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Em7) functions as a substitute for the I or vi. The IV chord (F#m7) is the subdominant — it adds motion and moderate tension. The V chord (GMaj7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (A7) is the relative minor — it brings emotional color and depth. The vii° chord (Bm7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the C# locrian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the C# locrian scale on ukulele.

locrian is the 7th mode of the Major scale. View C# Major scale

Related Scales

How to Use This Scale

Use over m7b5 (half-diminished) chords. Essential for jazz ii-V-i in minor keys where the ii chord is half-diminished.

Explore C# locrian Further