C# composite blues chords

All ukulele chords for the C# composite blues scale

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Harmony
Originalii–V–ISec. Dom.
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Ukulele fretboard diagram

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C# composite blues scale — ukulele fretboard diagramInteractive fretboard diagram showing the C# composite blues scale on ukulele with 15 frets. Notes: A#, B, C#, D#, E, F, F#, G, G#.A#BC#D#EFF#GG#A#BEFF#GG#A#BC#D#EFF#GC#D#EFF#GG#A#BC#D#GG#A#BC#D#EFF#GG#A#13579111213

C# composite blues scale — ukulele chords and intervals

Harmonizing the C# composite blues scale produces a comprehensive jazz chord family that merges major and minor blues structures into a single, flexible harmonic palette. The chords of C# composite blues are C# (1-♭3-4), D# (1-2-3), E (1-2-3), G minor seventh, G# minor seventh, G diminished, G# minor, A# diminished, B (1-3-♭5). The nine chords allow improvisers to freely mix happy and gritty chord colors over dominant harmony. This chord family is the ultimate toolkit for jazz-blues comping, providing every shade between major and minor. Commonly used in Jazz, Blues, Fusion, Funk. Notable players include John Scofield, Robben Ford, Larry Carlton.

The C# composite blues scale has the following degrees: 1 2 ♭3 3 4 ♭5 5 6 ♭7.

Intervals: W-H-H-H-H-H-W-H-W.

Diatonic chords: C# (1-♭3-4), D# (1-2-3), E (1-2-3), G minor seventh, G# minor seventh, G diminished, G# minor, A# diminished, B (1-3-♭5).

DegreesChord
IC# (1-♭3-4)
iiD# (1-2-3)
iiiE (1-2-3)
IVG minor seventh
VG# minor seventh
viG diminished
vii°G# minor
8A# diminished
9B (1-3-♭5)

Degree-by-Degree Analysis

The I chord (C# (1-♭3-4)) is the tonic — the gravitational center of the key. The ii chord (D# (1-2-3)) is the minor subdominant, commonly used to approach the V chord. The iii chord (E (1-2-3)) functions as a substitute for the I or vi. The IV chord (G minor seventh) is the subdominant — it adds motion and moderate tension. The V chord (G# minor seventh) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (G diminished) is the relative minor — it brings emotional color and depth. The vii° chord (G# minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the C# composite blues scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the C# composite blues scale on ukulele.

Related Scales

How to Use This Scale

Use over dominant 7th chords in blues and jazz-blues. Contains both major and minor 3rds, allowing fluid switching between bright and dark.

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