C# balinese chords

All ukulele chords for the C# balinese scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

C♯ balinese scale diatonic chords

IC♯ minor
GCEA1234
4frGCEA11124frGCEA11346frGCEA1342
IID major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
IIIE aug
GCEA13
GCEA13423frGCEA22314frGCEA1124
IVF♯ minor
GCEA213
GCEA21344frGCEA34219frGCEA1113
VA♭ unknown
G♯ - C - D
VIA major
GCEA21
2frGCEA12434frGCEA11429frGCEA1114
VIID unknown
C - D - F♯

C♯ balinese scale seventh chords

IC♯ mmaj7
GCEA124
4frGCEA11123frGCEA22416frGCEA1342
IID maj7
GCEA1113
4frGCEA43215frGCEA11237frGCEA1234
IIIE unknown
E - G♯ - C - D
IVF♯ m7
GCEA1324
5frGCEA22139frGCEA111111frGCEA2213
VA♭ unknown
G♯ - C - D - F♯
VIA maj7
GCEA12
GCEA12345frGCEA24139frGCEA1113
VIID 7
GCEA1112
5frGCEA11127frGCEA132410frGCEA2314

scale

Ukulele fretboard diagram

C# balinese scale — ukulele fretboard diagramInteractive fretboard diagram showing the C# balinese scale on ukulele with 15 frets. Notes: A, C, C#, D, E, F#, G#.ACC#DEF#G#ACEF#G#ACC#DEF#CC#DEF#G#ACC#DG#ACC#DEF#G#A13579111213

C# balinese scale — ukulele chords and intervals

Harmonizing the C# balinese scale yields a dark, meditative chord set from the Gamelan tradition. The chords of C# balinese are C# minor, D major, E augmented, F# minor, G# unknown, A major, D unknown. These chords create a shimmering, Southeast Asian harmonic world that feels ancient and spiritual. Use them for cultural scoring or to add a haunting, non-Western harmonic flavor to contemporary music. Commonly used in Gamelan, World, Ambient, Film Scores. Notable players include Colin McPhee, Steve Reich.

The C# balinese scale has the following degrees: 1 ♭2 ♭3 4 5 ♭6 7.

Intervals: H-W-W-W-H-3H-H.

Diatonic chords: C# minor, D major, E augmented, F# minor, G# unknown, A major, D unknown.

DegreesChord
IC# minor
iiD major
iiiE augmented
IVF# minor
VG# unknown
viA major
vii°D unknown

Degree-by-Degree Analysis

The I chord (C# minor) is the tonic — the gravitational center of the key. The ii chord (D major) is the minor subdominant, commonly used to approach the V chord. The iii chord (E augmented) functions as a substitute for the I or vi. The IV chord (F# minor) is the subdominant — it adds motion and moderate tension. The V chord (G# unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (A major) is the relative minor — it brings emotional color and depth. The vii° chord (D unknown) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the C# balinese scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the C# balinese scale on ukulele.

Related Scales

How to Use This Scale

Use over drones and sustained bass notes. Traditional Gamelan music doesn't use chords — the scale is inherently melodic and interlocking.

Explore C# balinese Further