C phrygian dominant chords

All ukulele chords for the C phrygian dominant scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

C phrygian dominant scale diatonic chords

IC major
GCEA3
GCEA1123frGCEA11325frGCEA1243
IIC♯ major
GCEA1114
4frGCEA11326frGCEA12438frGCEA1132
IIIE dim
GCEA2431
6frGCEA42139frGCEA124310frGCEA1134
IVF minor
GCEA124
3frGCEA34215frGCEA12348frGCEA1113
VG dim
GCEA132
GCEA11344frGCEA24319frGCEA4213
VIA♭ aug
GCEA13
GCEA13423frGCEA22314frGCEA1124
VIIB♭ minor
GCEA1113
GCEA11343frGCEA13424frGCEA3241

C phrygian dominant scale seventh chords

IC 7
GCEA1
GCEA11125frGCEA13248frGCEA2314
IIC♯ maj7
GCEA1113
4frGCEA11233frGCEA43216frGCEA1234
IIIE dim7
GCEA12
GCEA13246frGCEA13249frGCEA1324
IVF mmaj7
GCEA1143
4frGCEA22147frGCEA22418frGCEA1112
VG m7♭5
GCEA123
3frGCEA11326frGCEA11239frGCEA2314
VIA♭ major seventh flat sixth
A♭ - C - E - G
VIIB♭ m7
GCEA1111
3frGCEA22136frGCEA13249frGCEA2213

scale

Ukulele fretboard diagram

C phrygian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the C phrygian dominant scale on ukulele with 15 frets. Notes: Bb, C, Db, E, F, G, Ab.BbCDbEFGAbBbCEFGAbBbCDbEFGCDbEFGAbBbCDbGAbBbCDbEFGAbBb13579111213

C phrygian dominant scale — ukulele chords and intervals

The harmonized C phrygian dominant scale generates the definitive chord family of Flamenco, Klezmer, and Middle Eastern music, combining a major tonic with the dark bII chord. The chords from C phrygian dominant are C major, Db major, E diminished, F minor, G diminished, Ab augmented, Bb minor. The I-bII oscillation is the most iconic progression in Spanish music. The chord family includes both major and minor colors, allowing for passionate, dramatic songwriting that shifts between light and shadow. Commonly used in Flamenco, Metal, Middle Eastern, Klezmer, Film Scores. Notable players include Marty Friedman, Paco de Lucia, Ritchie Blackmore, Al Di Meola.

The C phrygian dominant scale has the following degrees: 1 ♭2 3 4 5 ♭6 ♭7.

Intervals: H-3H-H-W-H-W-W.

Diatonic chords: C major, Db major, E diminished, F minor, G diminished, Ab augmented, Bb minor.

DegreesChord
IC major
iiDb major
iiiE diminished
IVF minor
VG diminished
viAb augmented
vii°Bb minor

Degree-by-Degree Analysis

The I chord (C major) is the tonic — the gravitational center of the key. The ii chord (Db major) is the minor subdominant, commonly used to approach the V chord. The iii chord (E diminished) functions as a substitute for the I or vi. The IV chord (F minor) is the subdominant — it adds motion and moderate tension. The V chord (G diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Ab augmented) is the relative minor — it brings emotional color and depth. The vii° chord (Bb minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the C phrygian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the C phrygian dominant scale on ukulele.

phrygian dominant is the 5th mode of the Harmonic Minor scale. View C Harmonic minor scale

Related Scales

How to Use This Scale

Use over dominant chords in flamenco/metal contexts, especially V7 in harmonic minor. The go-to for 'Spanish' or 'Arabic' sounding lines.

Explore C phrygian dominant Further