C lydian chords

All ukulele chords for the C lydian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

C lydian scale diatonic chords

IC major
GCEA3
GCEA1123frGCEA11325frGCEA1243
IID major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
IIIE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113
IVF♯ dim
GCEA23
3frGCEA24318frGCEA421311frGCEA1243
VG major
GCEA132
GCEA11322frGCEA31247frGCEA1114
VIA minor
GCEA2
GCEA232frGCEA13423frGCEA3241
VIIB minor
GCEA1113
2frGCEA11344frGCEA13425frGCEA3241

C lydian scale seventh chords

IC maj7
GCEA2
2frGCEA4321GCEA11235frGCEA1234
IID 7
GCEA1112
5frGCEA11127frGCEA132410frGCEA2314
IIIE m7
GCEA12
3frGCEA22137frGCEA11119frGCEA2213
IVF♯ m7♭5
GCEA1132
5frGCEA11238frGCEA231411frGCEA1234
VG maj7
GCEA123
3frGCEA24137frGCEA11139frGCEA4321
VIA m7
GCEA
GCEA22135frGCEA13248frGCEA2213
VIIB m7
GCEA1111
4frGCEA22137frGCEA132410frGCEA2213

scale

Ukulele fretboard diagram

C lydian scale — ukulele fretboard diagramInteractive fretboard diagram showing the C lydian scale on ukulele with 15 frets. Notes: A, B, C, D, E, F#, G.ABCDEF#GABCEF#GABCDEF#GCDEF#GABCDGABCDEF#GA13579111213

C lydian scale — ukulele chords and intervals

Harmonizing the C lydian scale produces a luminous chord family where the II major chord replaces the typical ii minor. This bright alteration gives Lydian harmony its characteristic floating, unresolved quality. The diatonic chords of C lydian are CMaj7, D7, Em7, F#m7b5, GMaj7, Am7, Bm7. The I-II progression is the hallmark Lydian vamp, creating a sense of wonder without traditional tension. Film composers favor Lydian harmony for scenes of awe and discovery. The #iv diminished chord adds a touch of instability that keeps the brightness from becoming static. Commonly used in Film Scores, Progressive Rock, Fusion, Ambient, Dream Pop. Notable players include Joe Satriani, Steve Vai, John Williams, Hans Zimmer.

The C lydian scale has the following degrees: 1 2 3 ♯4 5 6 7.

Intervals: W-W-W-H-W-W-H.

Diatonic chords: CMaj7, D7, Em7, F#m7b5, GMaj7, Am7, Bm7.

DegreesChord
ICMaj7
iiD7
iiiEm7
IVF#m7b5
VGMaj7
viAm7
vii°Bm7

Degree-by-Degree Analysis

The I chord (CMaj7) is the tonic — the gravitational center of the key. The ii chord (D7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Em7) functions as a substitute for the I or vi. The IV chord (F#m7b5) is the subdominant — it adds motion and moderate tension. The V chord (GMaj7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Am7) is the relative minor — it brings emotional color and depth. The vii° chord (Bm7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the C lydian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the C lydian scale on ukulele.

lydian is the 4th mode of the Major scale. View C Major scale

Related Scales

How to Use This Scale

Use over Maj7#11, Maj9 chords. Ideal for non-resolving major passages. Avoid when the music needs to feel grounded or resolved.

Explore C lydian Further