C lydian dominant chords

All ukulele chords for the C lydian dominant scale

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Harmony
Originalii–V–ISec. Dom.

C lydian dominant scale diatonic chords

IC major
GCEA3
GCEA1123frGCEA11325frGCEA1243
IID major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
IIIE dim
GCEA2431
6frGCEA42139frGCEA124310frGCEA1134
IVF♯ dim
GCEA23
3frGCEA24318frGCEA421311frGCEA1243
VG minor
GCEA231
GCEA32412frGCEA21345frGCEA3421
VIA minor
GCEA2
GCEA232frGCEA13423frGCEA3241
VIIB♭ aug
GCEA2231
2frGCEA11243frGCEA13426frGCEA1124

C lydian dominant scale seventh chords

IC 7
GCEA1
GCEA11125frGCEA13248frGCEA2314
IID 7
GCEA1112
5frGCEA11127frGCEA132410frGCEA2314
IIIE m7♭5
GCEA21
3frGCEA11236frGCEA23149frGCEA1234
IVF♯ m7♭5
GCEA1132
5frGCEA11238frGCEA231411frGCEA1234
VG mmaj7
GCEA231
3frGCEA11436frGCEA22149frGCEA2241
VIA m7
GCEA
GCEA22135frGCEA13248frGCEA2213
VIIB♭ major seventh flat sixth
B♭ - D - F♯ - A

scale

Ukulele fretboard diagram

C lydian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the C lydian dominant scale on ukulele with 15 frets. Notes: A, A#, C, D, E, F#, G.AA#CDEF#GAA#CEF#GAA#CDEF#GCDEF#GAA#CDGAA#CDEF#GAA#13579111213

C lydian dominant scale — ukulele chords and intervals

The harmonized C lydian dominant scale produces a bright, quirky chord family centered around a dominant seventh tonic with a raised fourth — the Acoustic chord. The chords from C lydian dominant are C major, D major, E diminished, F# diminished, G minor, A minor, Bb augmented. The I7-II vamp is the signature Lydian Dominant sound, used in jazz for non-resolving dominant passages. These chords create forward motion without traditional tension, ideal for fusion and progressive jazz. Commonly used in Jazz, Fusion, Blues, Film Scores. Notable players include Frank Zappa, Larry Carlton, Pat Metheny.

The C lydian dominant scale has the following degrees: 1 2 3 ♯4 5 6 ♭7.

Intervals: W-W-W-H-W-H-W.

Diatonic chords: C major, D major, E diminished, F# diminished, G minor, A minor, Bb augmented.

DegreesChord
IC major
iiD major
iiiE diminished
IVF# diminished
VG minor
viA minor
vii°Bb augmented

Degree-by-Degree Analysis

The I chord (C major) is the tonic — the gravitational center of the key. The ii chord (D major) is the minor subdominant, commonly used to approach the V chord. The iii chord (E diminished) functions as a substitute for the I or vi. The IV chord (F# diminished) is the subdominant — it adds motion and moderate tension. The V chord (G minor) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (A minor) is the relative minor — it brings emotional color and depth. The vii° chord (Bb augmented) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the C lydian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the C lydian dominant scale on ukulele.

lydian dominant is the 4th mode of the Melodic Minor scale (Acoustic scale). View C Melodic minor scale

Related Scales

How to Use This Scale

Use over 7#11, 9#11 chords. Ideal for non-resolving dominant chords (the 'Simpsons chord'). Gives a sophisticated twist to blues progressions.

Explore C lydian dominant Further