C ionian chords

All ukulele chords for the C ionian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

C ionian scale diatonic chords

IC major
GCEA3
GCEA1123frGCEA11325frGCEA1243
IID minor
GCEA231
2frGCEA12345frGCEA11135frGCEA1134
IIIE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113
IVF major
GCEA21
GCEA2135frGCEA11148frGCEA1132
VG major
GCEA132
GCEA11322frGCEA31247frGCEA1114
VIA minor
GCEA2
GCEA232frGCEA13423frGCEA3241
VIIB dim
GCEA4213
4frGCEA12435frGCEA11348frGCEA2431

C ionian scale seventh chords

IC maj7
GCEA2
2frGCEA4321GCEA11235frGCEA1234
IID m7
GCEA2213
5frGCEA11117frGCEA221310frGCEA1324
IIIE m7
GCEA12
3frGCEA22137frGCEA11119frGCEA2213
IVF maj7
GCEA2413
5frGCEA11137frGCEA43218frGCEA1123
VG 7
GCEA213
3frGCEA23147frGCEA111210frGCEA1112
VIA m7
GCEA
GCEA22135frGCEA13248frGCEA2213
VIIB m7♭5
GCEA2314
4frGCEA12347frGCEA113210frGCEA1123

scale

Ukulele fretboard diagram

C ionian scale — ukulele fretboard diagramInteractive fretboard diagram showing the C ionian scale on ukulele with 15 frets. Notes: A, B, C, D, E, F, G.ABCDEFGABCEFGABCDEFGCDEFGABCDGABCDEFGA13579111213

C ionian scale — ukulele chords and intervals

The harmonized C ionian scale produces the same chord family as the major scale, forming the reference point for all diatonic harmony. Every chord built from this mode occupies a clear functional role: tonic, subdominant, or dominant. The diatonic chords of C ionian are CMaj7, Dm7, Em7, FMaj7, G7, Am7, Bm7b5. The I-vi-IV-V turnaround is a classic pop foundation, while the I-iii-vi-ii-V chain creates elegant descending-fifth motion ideal for standards and ballads. Commonly used in Pop, Classical, Folk, Country. Notable players include The Beatles, Bob Dylan, James Taylor.

The C ionian scale has the following degrees: 1 2 3 4 5 6 7.

Intervals: W-W-H-W-W-W-H.

Diatonic chords: CMaj7, Dm7, Em7, FMaj7, G7, Am7, Bm7b5.

DegreesChord
ICMaj7
iiDm7
iiiEm7
IVFMaj7
VG7
viAm7
vii°Bm7b5

Degree-by-Degree Analysis

The I chord (CMaj7) is the tonic — the gravitational center of the key. The ii chord (Dm7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Em7) functions as a substitute for the I or vi. The IV chord (FMaj7) is the subdominant — it adds motion and moderate tension. The V chord (G7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Am7) is the relative minor — it brings emotional color and depth. The vii° chord (Bm7b5) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the C ionian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the C ionian scale on ukulele.

ionian is the 1st mode of the Major scale. View C Major scale

Related Scales

How to Use This Scale

Use over Maj7, Maj9, major triads. The default safe choice for any major-key context.

Explore C ionian Further