B todi raga chords

All ukulele chords for the B todi raga scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

B todi raga scale diatonic chords

IB minor
GCEA1113
2frGCEA11344frGCEA13425frGCEA3241
IIC sus4
GCEA13
3frGCEA11235frGCEA12347frGCEA3124
IIID aug
GCEA2231
2frGCEA11243frGCEA13426frGCEA1124
IVG unknown
F - G - B
VF♯ unknown
F♯ - A♯ - C
VIG major
GCEA132
GCEA11322frGCEA31247frGCEA1114
VIIB♭ sus2
3frGCEA1134
5frGCEA11248frGCEA113410frGCEA3312

B todi raga scale seventh chords

IB mmaj7
GCEA2241
GCEA11124frGCEA13427frGCEA1143
IIC unknown
C - F - G - B
IIID unknown
D - F♯ - A♯ - C
IVG 7
GCEA213
3frGCEA23147frGCEA111210frGCEA1112
VF♯ unknown
F♯ - A♯ - C - F
VIG maj7
GCEA123
3frGCEA24137frGCEA11139frGCEA4321
VIIC suspended fourth seventh
A♯ - C - F - G

scale

Ukulele fretboard diagram

B todi raga scale — ukulele fretboard diagramInteractive fretboard diagram showing the B todi raga scale on ukulele with 15 frets. Notes: A#, B, C, D, F, F#, G.A#BCDFF#GA#BCFF#GA#BCDFF#GCDFF#GA#BCDGA#BCDFF#GA#13579111213

B todi raga scale — ukulele chords and intervals

The harmonized B todi raga scale generates a meditative chord family associated with morning contemplation in Indian classical music. The chords from B todi raga are B minor, C suspended fourth, D augmented, G unknown, F# unknown, G major, A# suspended second. The chord movements create a reflective, philosophical atmosphere. Use these harmonies for scoring scenes of introspection, dawn, and spiritual awakening. Commonly used in Indian Classical, World, Meditation, Film Scores. Notable players include Ravi Shankar, Nikhil Banerjee.

The B todi raga scale has the following degrees: 1 ♭2 ♭3 ♯4 5 ♭6 7.

Intervals: H-W-3H-H-H-3H-H.

Diatonic chords: B minor, C suspended fourth, D augmented, G unknown, F# unknown, G major, A# suspended second.

DegreesChord
IB minor
iiC suspended fourth
iiiD augmented
IVG unknown
VF# unknown
viG major
vii°A# suspended second

Degree-by-Degree Analysis

The I chord (B minor) is the tonic — the gravitational center of the key. The ii chord (C suspended fourth) is the minor subdominant, commonly used to approach the V chord. The iii chord (D augmented) functions as a substitute for the I or vi. The IV chord (G unknown) is the subdominant — it adds motion and moderate tension. The V chord (F# unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (G major) is the relative minor — it brings emotional color and depth. The vii° chord (A# suspended second) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the B todi raga scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the B todi raga scale on ukulele.

Related Scales

How to Use This Scale

Traditionally used over a drone (tanpura). In Western harmony, try over sustained root notes or minimal chord changes.

Explore B todi raga Further