B phrygian chords

All ukulele chords for the B phrygian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

B phrygian scale diatonic chords

IB minor
GCEA1113
2frGCEA11344frGCEA13425frGCEA3241
IIC major
GCEA3
GCEA1123frGCEA11325frGCEA1243
IIID major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
IVE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113
VF♯ dim
GCEA23
3frGCEA24318frGCEA421311frGCEA1243
VIG major
GCEA132
GCEA11322frGCEA31247frGCEA1114
VIIA minor
GCEA2
GCEA232frGCEA13423frGCEA3241

B phrygian scale seventh chords

IB m7
GCEA1111
4frGCEA22137frGCEA132410frGCEA2213
IIC maj7
GCEA2
2frGCEA4321GCEA11235frGCEA1234
IIID 7
GCEA1112
5frGCEA11127frGCEA132410frGCEA2314
IVE m7
GCEA12
3frGCEA22137frGCEA11119frGCEA2213
VF♯ m7♭5
GCEA1132
5frGCEA11238frGCEA231411frGCEA1234
VIG maj7
GCEA123
3frGCEA24137frGCEA11139frGCEA4321
VIIA m7
GCEA
GCEA22135frGCEA13248frGCEA2213

scale

Ukulele fretboard diagram

B phrygian scale — ukulele fretboard diagramInteractive fretboard diagram showing the B phrygian scale on ukulele with 15 frets. Notes: A, B, C, D, E, F#, G.ABCDEF#GABCEF#GABCDEF#GCDEF#GABCDGABCDEF#GA13579111213

B phrygian scale — ukulele chords and intervals

The harmonized B phrygian scale creates a dark, brooding chord family defined by the bII major chord a half step above the tonic. This unique neighbor chord is the harmonic signature of Phrygian music. The chords of B phrygian are Bm7, CMaj7, D7, Em7, F#m7b5, GMaj7, Am7. The i-bII oscillation is the foundation of Flamenco and metal's Phrygian sound. Use the bVII as a power chord passing tone and the bVI for dramatic descending bass lines. The overall chord family conveys tension, gravity, and dark passion. Commonly used in Flamenco, Metal, Djent, Middle Eastern. Notable players include Al Di Meola, Metallica, Meshuggah, Paco de Lucia.

The B phrygian scale has the following degrees: 1 ♭2 ♭3 4 5 ♭6 ♭7.

Intervals: H-W-W-W-H-W-W.

Diatonic chords: Bm7, CMaj7, D7, Em7, F#m7b5, GMaj7, Am7.

DegreesChord
IBm7
iiCMaj7
iiiD7
IVEm7
VF#m7b5
viGMaj7
vii°Am7

Degree-by-Degree Analysis

The I chord (Bm7) is the tonic — the gravitational center of the key. The ii chord (CMaj7) is the minor subdominant, commonly used to approach the V chord. The iii chord (D7) functions as a substitute for the I or vi. The IV chord (Em7) is the subdominant — it adds motion and moderate tension. The V chord (F#m7b5) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (GMaj7) is the relative minor — it brings emotional color and depth. The vii° chord (Am7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the B phrygian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the B phrygian scale on ukulele.

phrygian is the 3rd mode of the Major scale. View B Major scale

Related Scales

How to Use This Scale

Use over sus(b9), m7 chords in Phrygian contexts. Often played over a droning root note or power chord. The b2 → 1 resolution is the mode's signature move.

Explore B phrygian Further