B phrygian dominant chords

All ukulele chords for the B phrygian dominant scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

B phrygian dominant scale diatonic chords

IB major
GCEA1132
4frGCEA12436frGCEA113211frGCEA1114
IIC major
GCEA3
GCEA1123frGCEA11325frGCEA1243
IIIE♭ dim
GCEA132
5frGCEA42138frGCEA12439frGCEA1134
IVE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113
VF♯ dim
GCEA23
3frGCEA24318frGCEA421311frGCEA1243
VIG aug
GCEA231
GCEA22313frGCEA11244frGCEA1342
VIIA minor
GCEA2
GCEA232frGCEA13423frGCEA3241

B phrygian dominant scale seventh chords

IB 7
GCEA1112
4frGCEA13247frGCEA231411frGCEA1112
IIC maj7
GCEA2
2frGCEA4321GCEA11235frGCEA1234
IIIE♭ dim7
GCEA1324
5frGCEA13248frGCEA132411frGCEA1324
IVE mmaj7
GCEA21
3frGCEA22146frGCEA22417frGCEA1112
VF♯ m7♭5
GCEA1132
5frGCEA11238frGCEA231411frGCEA1234
VIG major seventh flat sixth
G - B - D♯ - F♯
VIIA m7
GCEA
GCEA22135frGCEA13248frGCEA2213

scale

Ukulele fretboard diagram

B phrygian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the B phrygian dominant scale on ukulele with 15 frets. Notes: A, B, C, D#, E, F#, G.ABCD#EF#GABCEF#GABCD#EF#GCD#EF#GABCD#GABCD#EF#GA13579111213

B phrygian dominant scale — ukulele chords and intervals

The harmonized B phrygian dominant scale generates the definitive chord family of Flamenco, Klezmer, and Middle Eastern music, combining a major tonic with the dark bII chord. The chords from B phrygian dominant are B major, C major, D# diminished, E minor, F# diminished, G augmented, A minor. The I-bII oscillation is the most iconic progression in Spanish music. The chord family includes both major and minor colors, allowing for passionate, dramatic songwriting that shifts between light and shadow. Commonly used in Flamenco, Metal, Middle Eastern, Klezmer, Film Scores. Notable players include Marty Friedman, Paco de Lucia, Ritchie Blackmore, Al Di Meola.

The B phrygian dominant scale has the following degrees: 1 ♭2 3 4 5 ♭6 ♭7.

Intervals: H-3H-H-W-H-W-W.

Diatonic chords: B major, C major, D# diminished, E minor, F# diminished, G augmented, A minor.

DegreesChord
IB major
iiC major
iiiD# diminished
IVE minor
VF# diminished
viG augmented
vii°A minor

Degree-by-Degree Analysis

The I chord (B major) is the tonic — the gravitational center of the key. The ii chord (C major) is the minor subdominant, commonly used to approach the V chord. The iii chord (D# diminished) functions as a substitute for the I or vi. The IV chord (E minor) is the subdominant — it adds motion and moderate tension. The V chord (F# diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (G augmented) is the relative minor — it brings emotional color and depth. The vii° chord (A minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the B phrygian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the B phrygian dominant scale on ukulele.

phrygian dominant is the 5th mode of the Harmonic Minor scale. View B Harmonic minor scale

Related Scales

How to Use This Scale

Use over dominant chords in flamenco/metal contexts, especially V7 in harmonic minor. The go-to for 'Spanish' or 'Arabic' sounding lines.

Explore B phrygian dominant Further